I am reviewing this movie for Reading Ireland Month. It is hosted by Cathy at 746 Books. Please check out her page for more suggestions on reading, audiobooks, or music on her spotify list and use the hashtags #readingirelandmonth26 or #begorrathon.
While this was billed as three lifelong friends reuniting after the death of an old classmate, I get the feeling that it was more like childhood friends than lifelong and having gone their separate ways are now more strangers than friends. At thirty-something, they no longer have anything in common except for the friend now deceased and the dreadful secret each has faithfully kept all this time. Together they set off for a wake that will take them across Ireland, during which they become fully reacquainted with each other again and gradually realize there was something really off about Greta’s mysterious death.
The series was created by Lisa McGee, who also created the Derry Girls, a series I started for this event and quickly stopped. A Hat Trick production, it was released in February of 2026 by Netflix and is currently available for streaming starring Roisin Gallagher as Saoirse, Sinéad Keenan as Robyn, and Caoilfhionn Dunne as Dara. Natasha O’Keeffe is starring as the elusive Greta.
The genre is set as a comedy and thriller, although I would also add dark comedy and satire.
Where in the world does the trip take them?
Well, we, who might not be terribly familiar with the scenic locations, get a lovely full tour. I believe it was shot primarily in Northern Ireland: Belfast, County Antrim, and County Down. Loved the rural views as well, the lush green countryside!
After the thrilling hook, the plot devolves into a wild free-for-all action flick with the three of them talking as fast as humanly possible and creating a small language barrier for those of us not familiar with the jargon, idioms, or expressions.
Part of my problem was keeping up with the different scenes, some seeming as if they were coming out of nowhere—wild party dances and freely flowing booze (how did we get here?), or a diminutive platinum blonde and pink hair dressed as a circus doll (?) with a voice to match that I think was worse than anything Dorothy could have dreamed up in the Wizard of Oz.
There was a cop who would appear from time to time and cute as he was, couldn’t discern why or what his point was. There were a few appropriate flashbacks to get some backfill, and from time to time focused on one of the three separately to dig deeper into their personality. One had three kids, one was a successful TV show writer…what did the brunette do? Oh, yeah. And was that a statement as well? A blonde, a redhead, and a brunette? Clever.
The main characters were wildly different from each other and wielded a sarcastic, dry wit. There were confusing scenes meant to raise more questions than answers and intentional misdirection. Absolute chaos. Somewhere by episode 3 or 4, the hubby was gritting his teeth or trying to sleep. Still, that’s the same man who’ll watch a chick flick before I will. It’s just one of those…
Is this a cultural statement? Or feminist? Perhaps I’m not the right generation. I don’t know but watched all eight episodes and honestly can’t tell you if anything was settled or not. The characters are wild and a fascinating study (a McGee signature?). If that means there will be a season two, though, I’m not sure I’ll tune in. Will you? Have you watched it yet? All of it?
©2026 V Williams
Rosepoint Publishing 