TV Netflix Series Along for the Ride vs #Audiobook #AlongfortheRide by #Sarah Dessen – Teen & YA Fiction

TV Netflix Series Along for the Ride vs Audiobook Along for the Ride by Sarah Dessen

Award winner

Intro

I’m sure you are gasping or at the very least rolling your eyes. As you know, I don’t do Romance or Teen and YA Fiction and yet here it is, so things do happen when pigs fly.

So let me explain what happened. Have you ever been in a hurry to go get the shopping done but just finished your last audiobook? And then, this time of year with so much time spent in the garden—where’s my audiobook? So, no, I didn’t dump it right away and opt for something in more of an adult thriller (other than facing current grocery prices).

Okay, then…yeah, I got interested; sucked in with the character of Auden. She’s eighteen, just graduated, and has decided to spend the summer with her dad and his new (much younger) wife and new baby in their little beachside town of Colby. Auden’s mother is not exactly the clingy type; she’s intelligent, extremely independent, and cerebral surrounded by fellow literary types. She’s the more successful of the two parents, her father working feverishly on his second book and not doing so as well.

Yes, I know you’re with me so far as the book has been out since 2009 which also tells you how long it takes for something to finally hit the little screen. The book is one of many from this author in the same vein.

So here I am, innocently finishing up the audiobook when I see it’s just landed on Netflix and if nothing else, I am curious.

Netflix Series

Along for the Ride released on May 6, 2022 on Netflix. It was written and directed by Sofia Alvarez and stars Emma Pasarow, Belmont Cameli, Kate Bosworth, and Andie MacDowell, among others.

Of the film, Netflix says, “The summer before college Auden meets the mysterious Eli, a fellow insomniac. While the seaside town of Colby sleeps, the two embark on a nightly quest to help Auden experience the fun, carefree teen life she never knew she wanted.”

Auden is, after all, the daughter of a successful academic, a serious student who had not participated in typical high school activities, friends, or related experiences. She was held remotely, the younger child of the divorced couple. It seems she never wanted for money as much as time and attention.

On one of her nightly loner excursions, she meets Eli who, also an insomniac, rides his BMX bike in and around the Boardwalk.

I warmed up to Emma Pasarow as the lead character pretty quickly, took a little longer for the same with Belmont Cameli. And bless her heart, Andie MacDowell, one of my favorite actresses, is just too old to play Auden’s mother (looking more like her grandmother). Maggie holds back acceptance of Auden and then suddenly becomes overly solicitous to the point of disbelief. While the book discusses the situation of her dad’s marriage, her academic focus, and lack of a normal high school experience, it seems the latter is the focus of this Netflix interpretation. Suddenly it’s playtime and there are numerous scenes of dancing and parties (alcohol, no drugs).

Her father’s character is played well. This viewer took a dislike to him as quickly as the book version. He’s narcissistic, uninvolved with either his new wife or baby, and focused 150% on his book.

Of course there will be conflict—Auden and Eli, Auden and her father, Auden and her mother. There is a dawning awakening with her mother. Her stepmother is another character played well and doesn’t have nearly the clueless ineptitude with her baby as she does in the book. She does, however, look for help with the crumbling of her marriage to Auden’s dad with Auden’s mother. (Talk about fairy tales!)

Well, we have a short and poignant boohoo scene, another party scene, dad goes back to Heidi and their new baby, the fight with Eli works out and he’s off to Barcelona, while she and Maggie ride into the sunset to the university where they’ll be roommates.

What? Did I miss the whole conflict resolution? It all got worked out during the last party I guess. Or maybe it was when I got up to let the dog out. Things changed mighty quick.

My Thoughts

As my daughter used to say, “gag me with a spoon.” So much of the development of Auden is lost in the Netflix version. She goes on a “quest” to do the fun things she’d formerly missed out on—as in teenage bucket list? To an extent, it did somewhat change that stilted visage we first saw. I never really did get Eli and didn’t see a lot of chemistry between them. He had a dark secret that was divulged pretty quickly and I couldn’t understand how her presence made the difference that fast.

On its own, if you haven’t read or listened to the book, you might very well enjoy.

2.5 stars

Audiobook (Blurb)

Nights have always been Auden’s time, her chance to escape everything that’s going on around her.
Then she meets Eli, a fellow insomniac, and he becomes her nocturnal tour guide.
Now, with an endless supply of summer nights between them, almost anything can happen. . . .

My Thoughts

The audiobook as narrated by Rachel Botchan has a slightly high, immature quality, annoying at first although I’m sure meant to convey the voice of a teen. Once used to that, the character of Auden begins to take on an empathetic quality and if the reader can’t identify with her, can engage in her character at arms’ reach and enjoy the journey to discover the life that is her father’s—one that she has not previously understood.

Her father is even more distant than her mother, so intent on his agenda he has no room left for her. Her stepmother is at her wits end with a screaming infant with no clue how to care for it. It’s written off as colic and nothing for it but to let her scream. Heidi is almost immediately sympathetic. She is exhausted and has literally no support, nor does she feel she wants to relinquish the care of the infant (described in the book as six weeks) to any help.

Eli is mysterious and in his own world, but he is a good listener and Auden learns there is much she missed—something Eli shared with others that was lost—and still is. Auden is being introduced to the world of peers, friends, fun times, and the haunts or secrets of their little town as well as the beauty of it. She is also introduced to the world of bike racing and jumping and is finally taught to ride, something she eventually does with Eli in her prom dress after she is stood up the second time by the same guy (not Eli).

“And the bottom line is, what defines you isn’t how many times you crash, but the number of times you get back on the bike.”

She is visited by her mother surveying the stepmother’s boutique and her brother, more than once, when he comes back to introduce his fiancé to the family. She is a total shock to their mother in particular, and a complete opposite to any her brother had previously dated.

The conclusion happened in the blink of an eye, no problem too big to handle. Eli comes to terms with the death of his best buddy and heads off to Barcelona (where does he get his money??!), her dad returns to his young family, her mother with her smitten stalker, and all the university angst is conquered.

3.5 stars

Overall Impression

The Book

There is more going on in the book than the oft-vapid teenage world portrayed in the Netflix version. The characters of the book were somewhat developed though not complex, although if you were searching for a solid plot—forget it. It’s a YA platform—fun and games. These teens also played at working (so maybe there was some responsibility). I loved the daily “dance break” both in the audiobook as well as the Netflix version. Okay, yes! but it was cute.

Netflix

The Netflix version left me flat wondering why I’d just sat through the whole thing—because I wanted to compare it to the book? The characters, the ones they used from the book, had little depth. They skipped much of the heart of the book. Auden learned she could have girlfriends. What else…Auden could party like the rest. Hmmm, Auden learned her mother wasn’t so bad but her father was worse?

The genre listed for the (audio)book is “Teen & Young Adult Fiction on Marriage & Divorce. Oops. That latter part was glossed over in a hurry.

Anyone else see a resemblance between the author and the lead character (Emma Pasarow)? Also, there was an interesting little interview with the two main leads on the Netflix Book Club, “But Have You Read the Book?” with Uzo Aduba that you might wish to check out.

Conclusion

This time my vote has to go to the author’s book. Fast, easy (or listen) read—look for it—there is a message.

Book Details

Genre: Teen & Young Adult Fiction on Marriage & Divorce, Teen & Young Adult Parents Fiction, Children’s Books on Marriage & Divorce
Publisher: Listening Library
ASIN: B002DN9I8M
Listening Length: 12 hrs 46 min
Narrator: Rachel Botchan
Audible Release: June 16, 2009
Source: Local Library (Audiobook Selections)
Title Link: Along for the Ride [Amazon]

Sarah Dessen-author — Author Sarah Dessen

The Author: I’ve been writing, in one way or another, for as long as I can remember. I was always a big reader, mostly because my parents were. I used to get frustrated with my mom because she bought me books for Christmas when what I really wanted were the gifts my friends got, things like sweaters and jewelry. But I did love to read. When I was eight or nine my parents gave me an old manual typewriter and a little desk in the corner of our den, and I’d sit there and type up my stories. I was the kind of kid that people always sighed over and said, “She has such a wild imagination,” which usually meant “I wish Sarah would try to stick to the truth.” I have a tendency to embellish: I think it’s just a weakness of fiction writers. Once you learn how to make a story better, it’s hard not to do it all the time.”The books I read when I was teenager, the good ones anyway, have stuck more in my mind than anything since. I still love books, but while I couldn’t tell you complete plots of novels I read even six months ago, I do remember even the smallest descriptive details from Lois Lowry’s A Summer to Die or Judy Blume’s Are You There God? It’s Me, Margaret. I think it was because back then books were still somewhat new to me, and when I found an author who seemed to say just what I was feeling, it really struck me and resonated. I hope that my books do that for the people who read them: I think it’s the best thing to which any writer can aspire. “As far as my other life, my non-writing life, I live in the country with my husband, some lizards, and two dogs who are completely spoiled and rule me completely. I like to work in my garden—although I have not yet perfected the art of keeping everything alive—-and, in my weaker moments, shop. I have a bit of an addiction to the Gap clearance rack, to be honest. I have this strange need to buy huge quantities of black pants. How many pairs of black pants does one person need? (Obviously for me, the answer is 11 and counting. But I digress.) What else can I tell you? I love Starbucks mochas but they make me way hyper. I subscribe to too many magazines. I make a mean bean salad. I could go on, but the truth is, my books are much more exciting than I am, and that’s a good thing. It’s always more fun to make stuff up anyway.”

Cover attributes-info: Wikipedia

V Williams

#TuesdayBookBlog

TV Netflix Series vs Audiobook – Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1) by Jennifer Worth

A True Story of the East End in the 1950s

Book Blurb:

Call the Midwife’ is a most extraordinary book and should be required reading of all students of midwifery, nursing, sociology and modern history. It tells of the experiences of a young trainee midwife in the East End of London in the 1950’s and is a graphic portrayal of the quite appalling conditions that the East Enders endured.

My Review:

If you ever feel badly about your childhood, tune into either the Netflix series or the audiobook of Call the Widwife by Jennifer Worth. At least we had an outhouse—wasps in the summer, black widows otherwise. To hear the deplorable conditions of the East End of London in the 50s, however, is unimaginable. The conditions were horrid. The TV series gives you glimpses, and by the glimpses, I mean also the smells.

The Netflix Series

We discovered this series and immediately set about binge watching. We blazed through the first three episodes and beyond. Inspired by the memoirs of Jennifer Worth, Call the Midwife, Shadows of the Workhouse, and Farewell to the East End, the series stays remarkably true to the original trilogy. However, the series took on a life of its own and grew far beyond the original characters into ten episodes with eleven being in the offing and eight, hour long episodes each. How many of those on Netflix? Actually, Season nine isn’t scheduled until 2021.

The show is, of course, a work of fiction, although Worth’s daughters Suzannah Hart and Juliette Walton loves that the performance of Jessica Raine (as Jenny) “was terribly anxious that we should be happy with her performance and I think she’s got it just right.” Many of the characters and situations early on were borrowed from the memoirs.

It is Vanessa Redgrave, herself an icon, who narrated three series and then appeared on screen.

It’s eye-opening watching Jenny Lee learn about the slums of postwar Poplar. The characters of Sister Julienne, Cynthia, Chummy, Sister Evangelina, and Sister Monica Joan (among others) are introduced early and quickly claim a place in your heart—cast so exquisitely, and very true to what Worth’s daughters remember. Even the handyman Fred and all his shenanigans are recounted with relish.

The real life Nonnatus House was moved to Birmingham during the 70s. Jennifer Worth died in 2011 at the age of 75. The first episode aired in 2012.

The Audiobook

I’ll admit to being thrown just a bit starting the audiobook, wherein there was a prologue not introduced to the first BBC series episode. Not to fear—it quickly catches up and proceeds with memories, characters, and stories played so well in the TV series that it was easy to remember the episode and circumstance.

What I enjoyed in the audiobook were the jumps into some retrospection of the characters. We get a bit of backstory of the nuns and how they came to be midwives at the Nonnatus House.

Remarkable stories, as are some of the recreations of the accounts of several of the more difficult deliveries, especially as Jenny is being indoctrinated into the system of the House, the nuns, and the other midwives. Talk about heroes. Absolutely jaw-dropping tales of the 50s in London, the men, the women prior to any kind of birth control, the lack of sanitary conditions, clean and accessible water and toilets, and the unfortunate back alley remedy of unwanted pregnancy.

A powerful book relayed in realistic conversational tones of an amazing story, mesmerizing, full of heart and emotion, at times euphorically happy and triumphant and others tragically bewildered or heartbroken.

Overall Impression

If this isn’t a novel you’ve already discovered, I certainly recommend the audiobook. If you have Netflix available and haven’t already binge watched—check it out. Either way, this is a win-win.

Book Details:

Genre: Biography
Publisher: Audible Audio

ASIN: B01N8XUV0Y
Print Length: 352 pages

Listening Length: 12 hrs 1 min
Narrator: Nicola Barber
Publication Date: September 10, 2012
Source: Local Library (Audiobook Selections)

Title Link: Call the Midwife [Amazon]

The Author (Goodreads): [Jennifer] Worth, born Jennifer Lee while her parents were on holiday in Clacton-on-Sea, Essex, was raised in Amersham, Buckinghamshire. After leaving school at the age of 14, she learned shorthand and typing and became the secretary to the head of Dr Challoner’s Grammar School. She then trained as a nurse at the Royal Berkshire Hospital, Reading, and moved to London to receive training to become a midwife.

Lee was hired as a staff nurse at the London Hospital in Whitechapel in the early 1950s. With the Sisters of St John the Divine, an Anglican community of nuns, she worked to aid the poor. She was then a ward sister at the Elizabeth Garrett Anderson Hospital in Bloomsbury, and later at the Marie Curie Hospital in Hampstead.

She married the artist Philip Worth in 1963, and they had two daughters.

Worth retired from nursing in 1973 to pursue her musical interests. In 1974, she received a licentiate of the London College of Music, where she taught piano and singing. She obtained a fellowship in 1984. She performed as a soloist and with choirs throughout Britain and Europe.

She later began writing, and her first volume of memoirs, ‘Call the Midwife’, was published in 2002. The book became a bestseller when it was reissued in 2007. ‘Shadows of the Workhouse’ (2005; reissued 2008) and ‘Farewell to the East End’ (2009) also became bestsellers. The trilogy sold almost a million copies in the UK alone. In a fourth volume of memoirs ‘In the Midst of Life’, published in 2010, Worth reflects on her later experiences caring for the terminally ill.

Worth was highly critical of Mike Leigh’s 2004 film Vera Drake, for depicting the consequences of illegal abortions unrealistically. She argued that the method shown in the movie, far from being fairly quick and painless, was in fact almost invariably fatal to the mother.

Worth died on 31 May 2011, having been diagnosed with cancer of the oesophagus earlier in the year.

A television series, Call the Midwife, based on her books, began broadcasting on BBC One on 15 January 2012.

The Narrator: Nicola Barber is an Audie Award-winning narrator whose voice can be heard in television and radio commercials and popular video games such as World of Warcraft. Nicola is also an Audie nominee in the Solo Female Narration category for her work on Murphy’s Law by Rhys Bowen and Call the Midwife by Jennifer Worth. –This text refers to the audioCD edition.

Attribution: Worth’s personal information from interview with her daughters at Radio Times

TV Netflix Series vs Audiobook – Walt Longmire Mysteries – by Craig Johnson

“There is nothing more deceptive than an obvious fact”
Sherlock Holmes

Wahoo! One of my favorite Netflix series and lots of audiobooks (as well as ebooks) at my local well stocked library. We binged right through the Longmire series, even trying to discipline ourselves to three episodes per night, so of course when I discovered the audiobooks at my library I grabbed the first that wasn’t on a waiting list. And whadda know, it’s about bike week—Sturgis! (which, coincidentally, was last week). I doubt there is few around the globe that hasn’t heard of Sturgis, and no, that’s one rally I didn’t go to (just a little too nutsy for me), although that is me on my Kawi in the background of the blog banner getting ready to pull off the road.

An Obvious Fact-Book Blurb:

In the 12th novel in the New York Times best-selling Longmire series, Walt, Henry, and Vic discover much more than they bargained for when they are called in to investigate a hit-and-run accident near Devils Tower involving a young motorcyclist.

In the midst of the largest motorcycle rally in the world, a young biker is run off the road and ends up in critical condition. When Sheriff Walt Longmire and his good friend, Henry Standing Bear, are called to Hulett, Wyoming – the nearest town to America’s first national monument, Devils Tower – to investigate, things start getting complicated. As competing biker gangs; the Bureau of Alcohol, Tobacco, and Firearms; a military-grade vehicle donated to the tiny local police force by a wealthy entrepreneur; and Lola, the real-life femme fatale and namesake for Henry’s ’59 Thunderbird (and, by extension, Walt’s granddaughter) come into play, it rapidly becomes clear that there is more to get to the bottom of at this year’s Sturgis Motorcycle Rally than a bike accident. After all, in the words of Arthur Conan Doyle, whose Adventures of Sherlock Holmes the Bear won’t stop quoting, “There is nothing more deceptive than an obvious fact”.

Audiobook

This is Book 12, so while the protagonist or his major support characters are not wholly fleshed, they don’t need to be—they are whittled out of casual remarks, innuendo, description. Walt Longmire is the sheriff of Absaroka County, Wyoming. The wild west. Two other main characters, Henry Standing Bear (Native American) and Vic (Victoria Moretti), his (female) deputy—a Philadelphia transplant. Walt is often accompanied by Dog, (of dubious parentage) who needs no further description. Walt’s daughter is not notably featured in this episode.

Walt received a call from another county about a motorcyclist run off the road near Devil’s Tower and his mother shows up to ask again for Walt’s help. The mother is Lola, the mother for whom Henry named his classic T-Bird. Yes, it’s “the” Lola.

Unsurprisingly, it won’t be a simple hit-and-run and while the young man languishes in the hospital not expected to recover, Walt soon discovers bad-ass motorcycle gangs and multitudes of despicable conspiracies.

I love the scenes, so beautifully laid out you can smell the landscape, and the banter between Walt and (Henry Standing) Bear and his undersheriff, who by the way, is a great deal more profane than she appears on Netflix. Also appreciated the motorcycle lingo; been awhile since I’ve participated. Almost non-stop action, the multi-plotted storyline getting more complex with fast-turning pages. I love the tidbits of knowledge about the area, the people and culture and in this case, of course, motorcycles.

The narrator, George Guidall, did one heckava outstanding job creating a down-to-earth narrative and understated conversational quality to the written words. He wasn’t just reading it. He made it come alive. It’s drugs, money, and mayhem and I can’t wait to tear into the next episode that becomes available. 4.5/5 stars

Netflix Longmire Series

I loved this series of the modern Western crime scene. The TV drama series began on A&E but was picked up by Netflix and developed by John Coveny and Hunt Baldwin somewhere around the fourth season. It ran for six seasons and is still streaming on Netflix after the sixth season ended in 2017. Popular? Oh, yes…what is not to love?

Despite amazing viewership numbers, A&E felt that the demographic was primarily older Americans—the horror of it all! Thanks to a huge fan uproar (think Star Wars), it was picked up by Netflix.

The cast is perfect: Australian Robert Taylor as Walt, Katee Sackhoff as Vic, and American Filipino Lou Diamond Phillips as Henry. Also, it was filmed in New Mexico (not Wyoming). While it doesn’t follow each book of Johnson’s series per se, there is crime fiction we’ve come to expect including bank robberies, murder investigations, and prominently featured conflicts with the local Cheyenne Indian reservation.

The series became so popular they began a yearly July festival in Buffalo (WY). (Absaroka County is fictional), according to Wide Open Country.

If there was a revival, Season 7, I’d be tuning in. Hollywood version Americana but well written and immensely engaging and entertaining. 5 enthusiastic stars

Overall Impression

I don’t think you can go wrong with either the Netflix series and that outstanding cast, gripping installments, and immersive episodes or the books. (Of course, I’m among that older demographic that had A&E dumping it.) While the audiobooks, the character Vic being more profane, might alienate a few of that older demographic, the descriptive storyline, natural and often humorous dialogue, and the narrator’s excellent delivery make it a winner. I’m a solid fan looking for my next audiobook. Wholly recommended.

Rosepoint Publishing recommended

Book Details:

Genre: Native American Literature, Western Fiction
Publisher: Recorded Books
ASIN: B01K23ZXCE
Listening Length: 7 hrs 50 min
Narrator: George Guidall
Publication Date: September 13, 2016
Source: Local Library (Audiobook Selections)
Title Link: An Obvious Fact [Amazon]

The Author: Craig Johnson is the New York Times bestselling author of twelve Walt Longmire mystery novels, which are the basis for Longmire, the hit Netflix original drama. The Cold Dish won Le Prix du Polar Nouvel Observateur/Bibliobs. Death Without Company, the Wyoming Historical Association’s Book of the Year, won France’s Le Prix 813, and Another Man’s Moccasins was the Western Writers of America’s Spur Award Winner and the Mountains & Plains Book of the Year. The Dark Horse, the fifth in the series, was a Publishers Weekly Best Book of the Year and Junkyard Dogs won The Watson Award for a mystery novel with the best sidekick. Hell Is Empty, selected by Library Journal as the Best Mystery of the Year, was a New York Times best seller, as was As the Crow Flies, which won the Rocky for the best crime novel typifying the western United States. A Serpent’s Tooth opened as a New York Times bestseller as did Any Other Name and Wait for Signs, Johnson’s collection of short stories. Spirit of Steamboat was selected by the State Library as the inaugural One Book Wyoming and included visits to sixty-three libraries. Johnson lives in Ucross, Wyoming, population twenty-five.

The Narrator: George Guidall is a prolific audiobook narrator and theatre actor. As of November 2014, he had recorded over 1,270 audiobooks, which was believed to be the record at the time. Wikipedia