Editors’ pick Best Literature & Fiction
National Book Critics Circle Award Winner – 2018
Book Blurb:
In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him―and to keep her mother from finding out about her maybe-boyfriend―rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.
My Review:
Yet another example of my apparent lack of appreciation for genius literary fiction. I was ready to DNF in…about ten minutes and several times after that. Yes, an audiobook and even if I hadn’t ramped up the speed, the author would still have been barreling through this book in it’s entirety without taking a breath.
What did I get myself into?
I was determined to finish it because it was to be on my list of Irish authors for this year’s Reading Ireland Month, the #Begorrathon, hosted by Cathy at 746 Books. Sorry, but I just couldn’t fathom this one.
Sheltered as we’ve been living in the States and only remotely getting news second or third hand, and at a time in my life when I was dealing with babies, I was far removed from what was going on “over there” except that “our boys” were still in ‘Nam and we wanted them home.
The protagonist here is a teenager, grappling with all the angst of teens the world over with the extra burden of an oppressive religion, an almost permanently hysterical mother, her education, and her lack of lining up a proper marriage.
What threw me at the beginning was the lack of names as everyone was referred to as (for instance) Almost Boyfriend, Third Brother-in-Law, Second Sister, etc. And the Milkman, wasn’t.
It’s a non-stop monologue that takes a single thought and multiplies it to all the possibilities that could result from the original thought and end with the worst scenario.
The only character I came close to engaging was Third Brother-in-Law and I couldn’t tell you why. I still didn’t know him any more than any of the main or support characters but the mother was the absolute worst.
A constant run-on self-dialogue that didn’t end and sometimes jumped into other persons, other scenes or situations, making it all but impossible to keep up with where we were now. Or why did we care?
This is supposed to be humorous—sorry—I didn’t find much funny with the horrible things going on (particularly the scene involving the dogs). No plot. No progression in the storyline. Oh, wait. No storyline. Everyone is paranoid, gossip runs rampant in an effort to…destroy(?) each other. A lot of narrative, nothing is settled. And then it ended.
SOOOO much philosophy! Dispensed, analyzed, regurgitated.
I’ll tell you what: Read the reviews on Goodreads. They should have gotten the awards!
I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Rosepoint Publishing: Two point Five Stars 
Book Details:
Genre: Political Fiction, Literary Fiction
Publisher: Dreamscape Media, LLC
ISBN-10: 1644450003
ISBN-13: 978-1644450000
ASIN: B07JJJTT29
Listening Length: 14 hrs 11 mins
Narrator: Bríd Brennan
Publication Date: Reprint edition – December 4, 2018
Source: Local Library (Audiobook Selections)
Title Links: Milkman – Amazon-US
Amazon-UK
Barnes & Noble
Kobo
The Author: Anna Burns was born in Belfast, Northern Ireland. She is the author of two novels, No Bones and Little Constructions, and of the novella, Mostly Hero. No Bones won the Winifred Holtby Memorial Prize and was short-listed for the Orange Prize for Fiction. She lives in East Sussex, England. Author photo credit Eleni Stefanou
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