Best Biographies and Memoirs
Goodreads Choice Award Nominee for Readers’ Favorite History & Biography (2025)
Book Blurb:
Over the fifty years that Lorne Michaels has been at the helm of Saturday Night Live, he has become a revered and inimitable presence in the entertainment world. He’s a tastemaker, a mogul, a withholding father figure, a genius spotter of talent, a shrewd businessman, a name-dropper, a raconteur, the inspiration for Dr. Evil, the winner of more than a hundred Emmys—and, essentially, a mystery. Generations of writers and performers have spent their lives trying to figure him out, by turns demonizing and lionizing him. He’s “Obi-Wan Kenobi” (Tracy Morgan), the “great and powerful Oz” (Kate McKinnon), “some kind of very distant, strange comedy god” (Bob Odenkirk).
Lorne will introduce you to him, in full, for the first time. With unprecedented access to Michaels and the entire SNL apparatus, Susan Morrison takes readers behind the curtain for the lively, up-and-down, definitive story of how Michaels created and maintained the institution that changed comedy forever.
Drawn from hundreds of interviews—with Michaels, his friends, and SNL’s iconic stars and writers, from Will Ferrell to Tina Fey to John Mulaney to Chris Rock to Dan Aykroyd—Lorne is a deeply reported, wildly entertaining account of a man singularly obsessed with the show that would define his life and have a profound impact on American culture.
My Review:
Can I count you among those, including myself, who mourn the “old days” of Saturday Night Live when it was still topical, satirical, and politically incorrect? The edginess poked fun at just about anyone before it dissolved in crotch shots and fart jokes.
To say that it’s “the definitive biography of Lorne Michaels, the man behind America’s most beloved comedy show” (NYTimes) might be a misnomer in that it appears to me more like an intro to the man but a blow-by-blow of the “warts-and-all week in the life of SNL.” (Variety)
Whether Michaels actually “invented” SNL or that it more likely evolved cooperatively with his acquiescence might produce an argument. As I read it, it was more a collaboration and he took it from there. There was a hiatus from 1980 to 1985 (seasons 6 through 10) where Michaels was absent and looking for other opportunities. So to say he has helmed SNL for fifty years also might be a stretch to the truth since he started with the show in 1975 but found other sources of creativity for those five years.
And, for my money, the Not Ready for Prime Time Players were the best—my favorite being Gilda Radnor and Jane Curtin. Not that I haven’t greatly enjoyed a number of cast members since, including Eddy Murphy (“It’s Mista Landlord, children.”) and Tina Fey. Then you might argue Bill Murray, Will Ferrell, Chris Rock, and Kenan Thompson, and I’d counter Adam Sandler, Dana Carvey, and Amy Poehler.
Go ahead, name your own favorites! There’s been a solidly rotating door since the early days and, I’m sorry to say, few that bring the magic or have the power to duplicate strong interest outside of SNL.
From Michaels at an early age to his first tentative step into show business, the author has done a fine job of research, coaxing out all the nuances that would become a Lorne hallmark. Whether his standard for comedic sketches has waned or not, one of the standard talents in Lorne is his considerable ability to see and acquire star talent.
Lorne is viewed later as a father figure to many of his cast members and shown often struggling with how much into their private lives he should have been projecting his wisdom. If you ever considered the culture, looking at many of the cast members that might have been living an over-the-top food, sex, and drugs existence, you’d be right. Witness those whose connection with the show has ended in their early deaths.
Does the quality of the show all come down to good actors interpreting lousy scripts? No. I don’t think so. If they are presenting these mind-numbing skits and Lorne thinks them funny and approves of them, then the buck stops on his desk. His demographic is young adults.
It’s just not the same, do you think? Not the same show. Not the level of writers. Not the level of the good-natured absurdity poking fun at topical events. I must admit that there are Saturday nights when we’ll hang on after news to watch the “cold open.” Unfortunately, that also tells us whether or not we’ll watch further or go to bed.
In a 655 page book and almost 23 hour audiobook, I think it could be said that the deep dissection of myriad weeks of SNL show structure from choice of guest stars to discussion of skits and the tediousness of timing could be cut from decades to samples of weeks that include some of the most notables mentioned.
If you enjoy an occasional, very long, biographical account of an American TV institution and its producer, you may find this of interest, but don’t say I didn’t warn you.
Many thanks to my local library for providing me with the opportunity to listen to and review this audiobook. The thoughts expressed here are my own.
Rosepoint Publishing: Three point Four Stars 
Book Details:
Genre: Television Comedy, Comedian Biographies & Memoirs, Celebrity & Popular Culture Humor
Publisher: Random House Audio
Narrators: Kristen DiMercurio, Susan Morrison
Release Date: February 18, 2025
Title Links:
Amazon-US | Amazon-UK | Barnes & Noble | Kobo
The Author: Susan Morrison is the Articles Editor of “The New Yorker.” She is the former editor-in-chief of the “New York Observer,” an original editor of “SPY” magazine, and the one-time features director of “Vogue.” She lives in New York City.
©2026 V Williams
Rosepoint Publishing 