The serial killer isn’t on trial. He’s on the jury.
It’s the murder trial of the century. And Joshua Kane has killed to get the best seat in the house – and to be sure the wrong man goes down for the crime. Because this time, the killer isn’t on trial. He’s on the jury.
But there’s someone on his tail. Former conman turned criminal-defense attorney Eddie Flynn doesn’t believe his movie-star client killed two people. He suspects the real killer is closer than they think – but who would guess just how close?
My Review:
Holy moly, how have I missed this author? I do enjoy legal thrillers, but this dual POV had me from the first page with two unique characters that kept me absolutely super-glued to the page. Alternate POVs between protagonist and antagonist. Not really anything new with that ploy—it was the characters; honed, crafted, molded into street-wise attorney and brilliant despot.
Eddie Flynn is the conman turned lawyer and he’s been asked to help defend one of the biggest names in the movie business on trial for murdering both his wife and her associate. Eddie is pretty sure that Robert Solomon didn’t do it. One thing Eddie is good at with his experience on the other side—people—and their “tells.” Bobbie is innocent.
Joshua Kane meanwhile has set in motion another of his well-crafted dramas. He loves it, the planning, the plotting, the manipulation—like marionettes on a string.
While the POV alternates chapters, the reader is soon embroiled in the diabolical cunning of the clever and cruel Kane and the push-back of Flynn. He may be a step behind but not for long. Flynn is great for leading the reader on his investigation in descriptive show, not tell, and we get an inkling of the mind that thinks out of the box with cunning reasoning and deductive power.
Kane has maneuvered his way bit by deadly bit to be part of the jury pool. The tension rises quickly as you realize how he will handle any further impediments to his succession into the box.
There are twists, gasps with totally unexpected turns and the already fast pace ramps up the urgency. Loved the courtroom drama, the behind-the-scenes action, and the blood pressure-spiking conclusion. More than a legal procedural, crime thriller, courtroom drama, it’s a heart-pounding ride through the mind of a one-of-a-kind character.
Coming in without reading the first two or three? So did I. But it made no difference. I had no problem following along other than now I’ll want to go back and play catch up.
Adam Sims does an outstanding job of capturing those opposing voices and making them real. I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Book Details:
Genre: Legal Thrillers, Crime Thrillers, Suspense Publisher: Macmillan Audio ASIN: B07MTKTS23 Listening Length: 11 hrs 23 mins Narrator: Adam Sims Publication Date: August 13, 2019 Source: Local Library (Audiobook Selections) Title Link:Thirteen [Amazon]
Rosepoint Publishing:Four point Five Stars
The Author:Steve Cavanagh is a critically acclaimed, Sunday Times best-selling author of the Eddie Flynn series which has sold a million copies in the UK. His third novel, The Liar, won the CWA Gold Dagger for Crime Novel of the year 2018. Thirteen won the Theakstons Old Peculier Crime novel of the year 2019. FIFTY FIFTY was a Richard and Judy Book club choice, and the BBC Between The Covers book club choice. All of his novels have been nominated for major awards. His last four novels have all been Sunday Times Bestsellers.
The Eddie Flynn series can be read in any order, but the list in full in order of publication is as follows:
The Defence
The Cross (ebook exclusive novella)
The Plea
The Liar
Thirteen
Fifty Fifty
The Devil’s Advocate
The Accomplice
Standalone books – Twisted.
The Narrator:Adam Sims trained at LAMDA. An award-winning and experienced stage actor, his credits include the West Yorkshire/Leeds Playhouse, the RSC, Royal Exchange Manchester and London’s West End. His screen credits include Band of Brothers and Lost in Space. As well as many recordings for BBC Radio, his voice-over credits are extensive and include computer games, animation, podcasts, television narration and corporates. He has recorded hundreds of audiobooks; titles ranging from Henry James, Edgar Allan Poe and Nathanial Hawthorne, to Haruki Murakami, Patricia Highsmith, Dennis Lehane, and Steve Cavanagh. He won the 2017 APA/Audible Audiobook Narrator of the Year for Flowers for Algernon.
Hyannis Port, Massachusetts, is synonymous with the Kennedy family. It is where, for a hundred years, America’s most storied political family has come to celebrate, bond, play, and, also, grieve. It is also the setting of so many events we remember: JFK giving his presidential acceptance speech, Jackie speaking with a Life magazine reporter just days after her husband’s assassination, Senator Edward Kennedy seeking refuge after the Chappaquiddick crash, Maria Shriver and Arnold Schwarzenegger tying the knot—and even Conor Kennedy courting pop star Taylor Swift. Anyone who has lived in, worked at, or visited the Kennedy compound in Hyannis Port has had a front-row view to history. Now, with extraordinary access to the Kennedy family, Kate Storey gives us a remarkably intimate and poignant look at the rhythms of an American dynasty.
Drawing from more than a hundred conversations with family members, friends, neighbors, household and security staff, Storey delivers a rich and textured account of the Kennedys’ lives in their summer refuge. From the 1920s, when Rose and Joseph P. Kennedy rented then bought a home known as The Malcolm Cottage, to today, when many Kennedys have purchased their own homes surrounding what’s now called The Big House, this book delivers many surprising revelations across the decades, including what matriarch Rose considered the family’s greatest tragedy, the rivalrous relationship between brothers Jack and Joe, details about Jackie’s life at the compound, and previously unknown glimpses into JFK Jr. and Carolyn Bessette’s loving and ill-fated relationship.
Fascinating, engaging, and illuminating, White House by the Sea provides a sweeping history of an American dynasty that has left an indelible mark on our nation’s politics and culture.
My Review:
Yes, of course, I remember exactly where I was when I heard that Kennedy had been shot. Who living through those years doesn’t? Shocking, it sent a nation into a grief spiral, saw the end of “Camelot,” and the excitement of having seen the youngest man ever voted into the presidency at forty-three. (It can be argued that Teddy Roosevelt was the youngest at 42, but he was not voted in.)
I have to admit, there is much I did not know, and, if the book is to be believed, corrected many of the erroneous rumors floating around for much of the century this book covers. Beginning with Joe and Rose Kennedy, this is an interesting chronology of the beginning of the Kennedy Compound in Hyannis Port.
Joe and Rose bought a simple house by the sea in 1928—it had been originally built in 1904—and soon underwent a major expansion along with the expansion of their family. A large Irish Catholic family, they began a legacy of summers at the home they called The Big House.
A lot of stories about the first and second generation of Kennedy’s, recounting the deaths of John, Bobby, Joe, and eventually Teddy. (Rose passed in 1995 at the age of 104 years.) The stories of extended family, siblings, grandchildren, and eventually cousins are examined.
A number of stories stand out, including the Cuban missile crisis with Khrushchev and the cruel promise of jobs in 1962 that saw busloads of innocent Black Americans from the south lured north in hopes of jobs and better conditions.
I enjoyed accounts of the family get-togethers, the games, the parties, the entrepreneurial ship exhibited by the younger kids, and the strong bind that bound the large family together as well as the additions of Jackie and Peter Lawford. Later were anecdotes of movie stars, artists, and singers. I also enjoyed the tales of the ships, the sailing, and the competition that saw their defeats as well as their victories.
As it progressed beyond JFK Jr., however, I felt a shift from happy accounts to those grandchildren, great-grandchildren, and cousins that fell into morose stories that didn’t end well. No longer an uplifting and clarifying narrative as much as an exposé.
I suppose it dipped into the Kennedy curse at this point and I felt a let down over what had been an enlightening biography. The narrator somberly, not for the first time quietly, completed the conclusion.
I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Book Details:
Genre: Biographies of Presidents & Heads of State, US State & Local History, US Presidents Publisher: Simon & Schuster Audio ASIN: B0BRDGXS8Q Listening Length: 11 hrs 27 mins Narrator: Kathe Mazur Publication Date: June 27, 2023 Source: Local Library (Audiobook Selections)
The Author: Kate Storey is the senior features editor at Rolling Stone. She was previously a staff writer at Esquire, where she covered culture and politics, and has written long-form profiles and narrative features for Vanity Fair, Marie Claire, Town & Country, and other publications. She lives with her family in New Jersey.
#1 New York Times bestselling author Sandra Brown delivers a riveting thriller where a conflict of conscience for a former football star and an ambitious state prosecutor swiftly intensifies into a fight for their lives.
Former Super Bowl MVP quarterback Zach Bridger hasn’t seen his ex-wife, Rebecca Pratt, for some time—not since their volatile marriage imploded—so he’s shocked to receive a life-altering call about her. Rebecca has been placed on life support after a violent assault, and he—despite their divorce—has medical power-of-attorney. Zach is asked to make an impossible choice: keep her on life support or take her off of it. Buckling under the weight of the responsibility and the glare of public scrutiny, Zach ultimately walks away, letting Rebecca’s parents have the final say.
Four years later, Rebecca’s attacker, Eban—the scion of a wealthy family in Atlanta—gets an early release from prison. The ludicrous miscarriage of justice reeks of favoritism, and Kate Lennon, a brilliant state prosecutor, is determined to put him back behind bars. Rebecca’s parents have kept her alive all these years, but if her condition were to change—if she were to die—Eban could be retried on a new charge: murder.
It isn’t lost on Zach that in order for Eban to be charged with Rebecca’s murder, Zach must actually be the one to kill her. He rejects Kate’s legal standpoint but can’t resist their ill-timed attraction to each other. Eban, having realized the jeopardy he’s in, plots to make certain that neither Zach nor Kate lives to see the death of Rebecca—and the end of his freedom.
My Review:
Have you ever found yourself requesting the same book? Or attracted by the cover and blurb, loaned the audiobook from the library a year later? I’ve done so, more than once. This time, however, it was a book from NetGalley requested last year that the CE read and reviewed. It wasn’t until I began preparing for this review that I ran across his review, a shortened version included below. We were fairly close in agreement with this one.
Zach Bridger was apparently a Super Bowl quarterback of some renown, as he was often recognized. His marriage to Rebecca was a short, unhappy one. She ended up on life support with what appeared to be Zach’s responsibility as her father could not, would not “pull the plug.”
First, a former star quarterback was a bit difficult for me to find fully engaging, although I did appreciate his philosophy regarding Rebecca. Kate Lennon has a stake in seeing that Eban should still be held accountable after his release. She is smart, driven, and effective in her role as a state prosecutor. Of course, Zach and Rebecca will become romantically involved.
“She placed her hand on his chest, ‘Thank you for saving by life.’ ‘Thank you for coming into mine.’” [Zach]
I thought the age-old struggle of the “right thing” to do was handled well, including both points of view but for me, the middle of the narrative sagged a bit going into the conclusion. What finally ticked up the interest was that little zinger in the end.
Love those twists you don’t see coming and this one caught me by surprise. The philosophy of the situation ended in a stalemate—but it’s that end run with the legalese that provides the satisfying ending.
I downloaded a copy of this audiobook with narration by Kyf Brewer from my local well-stocked library. These are my honest thoughts. 4 stars
Book Details:
Genre: Crime Fiction, Contemporary Romance, Suspense Publisher: Grand Central Publishing ASIN: B09WTLHHVK Listening Length: 10 hrs 10 mins Narrator: Kyf Brewer Publication Date: August 16, 2022 Source: Local Library (Audiobook Selections) Title Link: Overkill [Amazon]
His Review:
[redacted] Rebecca Pratt Bridger is confined to a hospital bed. She has very little brain activity and for all practical purposes is a vegetable. Her ex-husband, Zack Bridger, has been designated her legal guardian and the one who can tell them to disconnect the life-saving devices.
Rebecca found her husband intolerable soon after the marriage and began to sleep around. One of those times she chose a man who liked to choke the woman while having sex. She didn’t come to again.
The man who caused Rebecca to be in the coma is out of prison after four years. Eban has been spoiled his whole life. He is a person with no scruples or remorse.
The author captured the essence of a narcissist who has no regard for other individuals. It kept me engaged expecting something would happen to Eban. 4.5 stars – CE Williams
Did you read this one last year too?
The Author: Sandra Brown is the author of more than sixty New York Times bestsellers, including STING (2016), FRICTION (2015), MEAN STREAK (2014), DEADLINE (2013), LOW PRESSURE (2012), LETHAL (2011), and the critically acclaimed RAINWATER (2010).
Brown began her writing career in 1981 and since then has published over seventy novels, bringing the number of copies of her books in print worldwide to upwards of eighty million. Her work has been translated into thirty-three languages.
Brown recently was given an honorary Doctorate of Humane Letters from Texas Christian University. She was named Thriller Master for 2008, the top award given by the International Thriller Writer’s Association. Other awards and commendations include the 2007 Texas Medal of Arts Award for Literature and the Romance Writers of America’s Lifetime Achievement Award.
The Narrator: Kyf Brewer, an Earphones Award–winning narrator, is an actor known for Serial Mom, Stop, Record, and Fallen Arches.
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer—the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
My Review:
It’s not like I haven’t sucked up to a Reese Witherspoon Book Club Pick before (witness my recent review of both the audiobook and the Daisy Jones and the Six Netflix series, but really—this one?
Yes, I noticed it was a book pick, but also read the blurb and thought it sounded interesting. After all, it was billed as a “can’t put it down” debut and I needed an audiobook. I thought I’d wised up to that kind of hype, but obviously needed to read a few of the posted GR reviews first.
Maya has issues, lots of baggage, and she’s steadfastly refused to let it go through seven years of meds, booze, and shrinks. Now that she’s seen a video that duplicates the death of her best high school friend, up to and including the very man that was in attendance of the former death, she’s at it again, while trying to dodge accusations of mental illness, issues with drying out and investigating two similar deaths.
Maya has returned to her Berkshires hometown to look into the matter further. She has a boyfriend, but he is unaware of her struggles with drugs, memory lapses, and booze. The support characters are not fully developed and except for Frank, couldn’t engage in either them or Maya. Frank is just…creepy.
I had a problem with the flip-in-time sequences, the entry into the mystery of the Guatemalan father’s book, and the law student (oblivious) boyfriend. The pace is slowww and there were periods when it just seemed to die. Then something would happen and I’d tune back in.
There are times when it just doesn’t mesh and there are holes that aren’t filled with logic. The big reveal isn’t a big surprise as it seemed to be hinting—heading that way. The conclusion, while disquieting, is unfulfilling.
Maybe I’m just getting tired of damaged MCs, and I won’t call this a snooze fest, but neither did it capture my interest from the beginning. I got tired of Maya’s problems (guess I just don’t have the patience anymore) and areas that ran in disbelief.
Do you read Witherspoon’s book picks? This one? If so, do you agree or disagree with this pick?
I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Book Details:
Genre: Women’s Psychological Fiction, Women’s Mystery, Thriller & Suspense Fiction, Psychological Thrillers Publisher: Penguin Audio ASIN: B09X51M1NK Listening Length: 8 hrs 34 mins Narrator: Marisol Ramirez Publication Date: January 3, 2023 Source: Local Library (Audiobook Selections) Title Link:The House in the Pines [Amazon] Barnes & Noble Kobo
Rosepoint Publishing: Three stars
The Author:Ana Reyesis a writer in Los Angeles with an MFA from Louisiana State University. Her work has appeared in Bodega, Pear Noir, The New Delta Review and elsewhere. The House in the Pines is her first novel.
It’s not difficult to see the hand of Reese Witherspoon in this Netflix series. It’s a historical, somewhat nostalgic look at the age of sex, drugs, and rock ‘n roll well past its infancy, as well as a spyglass full of the 70s LA rock music scene. An almost faithful reproduction of the book.
Netflix TV Series
After listening to the audiobook and reading Reese’s bubbling promo of her series baby, I couldn’t help but tune in as soon as it was released. Admittedly, it began almost as sluggishly as the book and the CE ignored it—found something else to do. I think it was somewhere around the third episode he began to find interest.
With this type of unusual format, it takes a minute or two to get used to the interview technique that the book and the series employs to introduce each of the characters. It didn’t take as long for the general viewer to get hooked, however, exhibiting an impressive increase in demand on the most streamed TV series across US platforms. Even Rotten Tomatoes “reported a 70% approval rating with an average of 6.7/10*.”
The series is written by Scott Neustadter and Michael H. Weber alongside Reese Witherspoon and Lauren Neustadter. The author Taylor Jenkins Reid also produces the ten-episode series that examines the reason for the dissolution of the fictional band twenty years after their final emotionally charged concert.
Riley Keough as Daisy
There is a full-length album, Aurora, that was released by Atlantic Records in March. The lead vocals are performed by Riley Keough (Elvis’ granddaughter) and
Sam Claflin as Billy
Sam Claflin as in the series.
(The pricy album is available on vinyl on Amazon. I love the album cover!)
Daisy is played as a rich but neglected daughter, while Billy played the older brother (Dunne brothers) and band leader-vocalist in his garage-originated boy band. I couldn’t help but think of Janis Joplin—that same carefree boozy attitude (although I still prefer Janis). I didn’t care for either Daisy or Billy and knew the hate-to-love trope was working its magic and indeed, sparks begin to fly.
Watching the two steal glances at each other, you had to wonder how much is real and what is an act. The chemistry is amazing. Neither did I care much for other members of the band although I liked Teddy Price, the producer.
Early in the series, I thought I recognized passages directly from the audiobook, familiar phrasing they used and I particularly enjoyed these quotables:
Buddhists say, “Pain is inevitable—suffering is optional.”
“I think it’s easy to confuse a soul-mate with a mirror.”
My Thoughts
#2 this week
As most know, Daisy Jones & The Six was Reese Witherspoon’s Book Club of the month in March of this year, but the book was published back in March of 2019.
It reads like the story of a band on a rocket to the top of the rock band list in the middle and late 70s. It sells the idea through the interviews of each of the band members, examining their origins and their rise through the LA music scene twenty years after the abrupt split of the band following their concert in Chicago.
There is a decided division where the series and the book splits somewhat with what happens to the support characters. I love the outdoor scenes of the photo shoots and concerts. Watching the interviews with the characters makes it easier to remember who is speaking than does the audiobook, where I sometimes lost track.
The clothes, styles, hair was so perfect; absolutely puts you back in the decade along with the music. As the episodes progress, there is greater inclusion of the music, snippets of the concerts, and I hoped for more. 4.5 stars
Audiobook (Blurb)
Goodreads Choice Award Winner for Best Historical Fiction (2019)
A Reese’s Book Club + Hello Sunshine on Audible Pick
A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup.
Daisy is a girl coming of age in LA in the late ’60s, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s 20, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the ’70s. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
My Thoughts
The unusual writing style threw me at first when I started this audiobook. There are interviews that started introducing the characters of the band and I finally caught on to the unique style of getting to know the individuals, their role in the storyline, and the inkling of who they are, how they got here.
Plunged deeply into the sex, drugs, and rock ‘n roll era, Daisy quickly becomes iconic. She is the personification of a free love, braless society, with strong women finding their voice in more ways than ever before. Sometimes I envied their newly found freedom.
The ‘70s LA music scene is wild and as the characters took on more shape, more personality, it is obviously part of the whole societal revolt happening at the time.
Hubby and I missed much of the cultural revolution being outside of the country during his Naval service until 1970. It was shocking when we came home to see how our country changed during our absence. We were still the earlier generation’s sensibilities, married, working, paying taxes, and busy ignoring the craziness going on around us.
The bands—so many—and so many messages of resistance, peace, and love. This fiction saga is strongly rumored to follow somewhat loosely the story of Fleetwood Mac (and by extension, Stevie Nicks. We were not a fan).
Daisy is the product of a rich family, largely ignored or forgotten altogether, and drowned her stinging rejection with anything she could swallow. She manages, however, to become established locally on a low scale in the music scene and begins to write her own music. Equally largely unknown The Six (the Dunne brothers), evolving as the members aged, one going into the conflict only to die on ‘Nam soil. Billy, their leader is controlling, narcissistic.
The book explores several themes besides love, loss, and addiction and is an apparent hate-to-love trope soon after Daisy joins the band. Still, it can’t be denied that between them they manage to come up with some winning songs and begin to gain popularity, particularly after the band meets a producer/promoter.
Of course, it’s totally character-driven—certainly Daisy and Billy take center stage ramping up the tension between herself and Billy’s main lady (who births a daughter) and as each of the other characters are interviewed weigh in on how they impact the success of the band.
I did enjoy the little twist at the end, revealing the source of the interviews. 4 stars
The Author
Taylor Jenkins Reid is the New York Times bestselling author of Daisy Jones & The Six and The Seven Husbands of Evelyn Hugo, as well as One True Loves, Maybe in Another Life, After I Do, and Forever, Interrupted. Her newest novel, Malibu Rising, is out now. She lives in Los Angeles.
Hooked and crazy engaging, totally entertaining after a slow burn entry. Riley sells it as Daisy—she is Daisy—in her expressions, sober or not. The production sells the time, location, atmosphere. It is so compelling. My only quibble was the ending—not as the book would have it—but searching for that happy ever-after feeling and perhaps not so realistic as the authenticity it earlier gained.
The Audiobook
The book keeps a steady pace for the most part, although it is somewhat slow to gain interest at the beginning. The narrators do a great job with their parts and as the book moves toward conclusion, ramps up the tension. It is such a unique writing style, but it works. Engaging and entertaining, into that era, that pop culture, those post-conflict ballads. The interviews gain a deeper understanding of what leads to the breakdown and quietly concludes but the switch between interviews can be confounding.
Conclusion
Watching Riley as Daisy is compelling. She sells her part, spoiled entitled brat that she is. I even began to like Billy near the conclusion. But it’s a visual feast for the eyes as well as the ears and edges out the audiobook. Even if that isn’t your generation, you can watch and be mesmerized by the birth, growth, and frenetic rise that once again, begins to sour under the weight of stardom. The depth of emotion is beautiful.
LAPD detective Renée Ballard and Harry Bosch team up to hunt the brutal killer who is Bosch’s “white whale”—a man responsible for the murder of an entire family.
A year has passed since LAPD detective Renée Ballard quit the force in the face of misogyny, demoralization, and endless red tape. But after the chief of police himself tells her she can write her own ticket within the department, Ballard takes back her badge, leaving “the Late Show” to rebuild and lead the cold case unit at the elite Robbery-Homicide Division.
For years, Harry Bosch has been working a case that haunts him—the murder of an entire family by a psychopath who still walks free. Ballard makes Bosch an offer: come volunteer as an investigator in her new Open-Unsolved Unit, and he can pursue his “white whale” with the resources of the LAPD behind him.
First priority for Ballard is to clear the unsolved rape and murder of a sixteen-year-old girl. The decades-old case is essential to the councilman who supported re-forming the unit, and who could shutter it again—the victim was his sister. When Ballard gets a “cold hit” connecting the killing to a similar crime, proving that a serial predator has been at work in the city for years, the political pressure has never been higher. To keep momentum going, she has to pull Bosch off his own investigation, the case that is the consummation of his lifelong mission.
My Review:
Okay, wait…what is Connelly telling us with Book 5? COME ON! We are talking Ballard and Bosch here! I particularly enjoy it when these two get together.
Read most of his books, I’m a fan; watched all the Netflix episodes. While Welliver sells Bosch in the title role of the TV series, he reinforces Titus Welliver in the audiobooks—makes him real! So what’s with the ending in this installment?!
This installment, though, where Ballard brings Bosch in to help her with her cold case, it also renews his interest in solving a cold case of his own. I was quite surprised when the two so quickly handled her cold case, almost too soon. But Bosch’s “white whale” (that of the odious murder of an entire family) kept the two working.
Yes, Harry had quit the force—hasn’t gotten any younger. Ballard, of course, is eyeing a successful partnership again—they work well together. Have cases to solve. She is eager to keep her funding, her new department active. Ballard has grown in character depth, but there is still a lot to learn about her while we are quite familiar with Bosch.
Connelly is preparing us though—things are going to change—hopefully not in the next episode, but Ballard appears to be gaining in her position. She’s done well under the mentoring of Bosch. Out of left-center field comes a psychic. I’m not at all sure if she is to remain part of the Open-Unsolved Unit and I’m not sold on her yet.
Fast-paced, well-plotted, packed with technology—something new to learn. Always suspenseful, building tension as Bosch navigates treachery and Ballard handles personnel, the department, the funding and budget, the direction, the clues, and dispenses appropriate action. Perhaps this is not the installment to break into this series.
Something’s afoot!
I’ve enjoyed previous episodes, the last Dark Sacred Night and the CE’s review of The Dark Hours. Hopefully, there will still be more.
I downloaded a copy of this audiobook from my local well-stocked library and again recommend the audiobook with Welliver’s narration. My only reservation with the audiobooks is that it sounds sometimes like he read his parts at some other place or time and it was fitted with the other two narrators. Can’t put my finger on it—but it’s an obvious change in timbre. These are my honest thoughts.
The Author:Michael Connelly is the bestselling author of more than thirty novels and one work of nonfiction. With over eighty million copies of his books sold worldwide and translated into forty-five foreign languages, he is one of the most successful writers working today. A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. His very first novel, The Black Echo, won the prestigious Mystery Writers of America Edgar Award for Best First Novel in 1992. In 2002, Clint Eastwood directed and starred in the movie adaptation of Connelly’s 1998 novel, Blood Work. In March 2011, the movie adaptation of his #1 bestselling novel, The Lincoln Lawyer, hit theaters worldwide starring Matthew McConaughey as Mickey Haller. His most recent New York Times bestsellers include Desert Star (2022), The Dark Hours (2021), The Law Of Innocence (2020), Fair Warning (2020), and The Night Fire (2019). Michael is the executive producer of Bosch and Bosch: Legacy, Amazon Studios original drama series based on his bestselling character Harry Bosch, starring Titus Welliver and streaming on Amazon Prime/Amazon Freevee. He is the executive producer of The Lincoln Lawyer, streaming on Netflix, starring Manuel Garcia-Rulfo. He is also the executive producer of the documentary films, “Sound Of Redemption: The Frank Morgan Story’ and ‘Tales Of the American.’ He spends his time in California and Florida.
Titus Welliver–Compliments of Wikipedia–thank you!
The Narrator:Titus B. Welliver is an American actor. He is best known for his portrayals of the Man in Black in Lost, Silas Adams in Deadwood, Jimmy O’Phelan in Sons of Anarchy, and the title role in the television series Bosch. WikipediaBorn: March 12, 1962, New Haven, CT.
When a disappearing dog leads to a decades-old feud, will this psychic sleuth settle the score?
Mitzy Moon is bending over backward to be a good big sister. Spending a day at the pet invention convention seems harmless enough. But when puppy love turns into vanishing canines and a vengeful ghost, she’ll have to bend a few laws before more furry friends are spirited away…
Ignoring the handsome sheriff’s warnings about evidence that cuts both ways, Mitzy’s desperation drives her to make daring decisions. Unfortunately, one crime leads to two and her carelessness puts Ghost-ma and her interfering feline in danger. And with her family threatened by dangerous powers, her dreams of a happy ending could become a ghastly nightmare.
Can Mitzy save the pooch and her grandmother, or will she be forced to make a deadly choice?
Hearts and Dark Arts is the twelfth book in the hilarious paranormal cozy mystery series, Mitzy Moon Mysteries. If you like snarky heroines, supernatural twists, and a dash of romance, then you’ll love Trixie Silvertale’s madcap caper.
My Review:
Intrigued with Book 1 a while ago, I then jumped into Books 2 and 3. So don’t ask me why this time I’d have jumped to Book 12—any rhyme or reason there? Then I discover it has a Valentine thread running behind it as is the next book I picked up, totally unaware it also has a Valentine thread. I wonder what the stars are trying to tell me? Should I have my cards read?
At least having gotten the beginning of the storyline and intro to the main characters, I can appreciate that Mitzy has relaxed a bit now with her newly acquired financial situation. She’s definitely a bit more confident if not still as clumsy, but enjoying her circumstances and the “new” family she’s inherited.
One new family member is step-brother Stellen. A youngster smitten with Yolo, he goes to a convention with Yolo where her pet aura photography invention goes awry with her fur baby inside. Obviously, the pet may be off in the ether somewhere and Stellen enlists the aid of Mitzy who also enlists the aid of Silas, an aging alchemist and Mitzy’s mentor.
But fixing the machine doesn’t solve all the problems as there is obviously a supernatural occurrence here that they failed to recognize and now realize it will get seriously more complicated when not only Pyewacket but her Ghost-ma also disappears.
Mitzy uses her growing sense of her paranormal sensibilities as well as those she gleans from Silas to work on returning Ghost-ma from an old enemy.
In the background is the blooming romance between her and Too Hot To Handle Sheriff Erik. You can’t fault her for the quick wit and willingness to share some of her riches where it will do the most good. She has no problem sharing. I enjoy the small quiet atmosphere of Pin Cherry Harbor and the inhabitants, going about their business rather oblivious to the paranormal maneuvering at the bookstore and her descriptive upstairs apartment. It’s magical, engaging, and very entertaining.
I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Book Details:
Genre: Animal Cozy Mysteries, Paranormal Fantasy, Amateur Sleuth Mysteries Publisher: Sittin’ On A Goldmine Productions LLC ASIN: B0B7SQX6QC Listening Length: 5 hrs 15 mins Narrator: Coleen Marlo Publication Date: February 9, 2021 Source: Local Library (Audiobook Selections) Title Link: Hearts and Dark Arts [Amazon]
Rosepoint Publishing: Four point Five Stars
The Author: USA TODAY Bestselling author Trixie Silvertale grew up reading an endless supply of Lilian Jackson Braun, Hardy Boys, and Nancy Drew novels. She loves the amateur sleuths in cozy mysteries and is obsessed with all things paranormal. Those two passions unite in her Mitzy Moon Mysteries, and she’s thrilled to write them and share them with you.
When she’s not consumed by writing, she bakes to fuel her creative engine and tends to her herb garden.
“…Emerson would have been the first to proclaim that we were a partnership, in archaeology as in marriage.”
Book Blurb:
The last camel is dead, and Egyptologist Amelia Peabody, her dashing husband, Emerson, and precocious son, Ramses, are in dire straits on the sun-scorched desert sands. Months before, back in cool, green England, Viscount Blacktower had approached them to find his son and his son’s new bride, who have been missing in war-torn Sudan for over a decade. An enigmatic message scrawled on papyrus and a cryptic map had been delivered to Blacktower, awakening his hope that the couple was still alive.
Neither Amelia nor Emerson believes the message is authentic, but the treasure map proves an irresistible temptation. Now, deep in Nubia’s vast wasteland, they discover too late how much treachery is afoot (and on camelback)…and survival depends on Amelia’s solving a mystery as old as ancient Egypt and as timeless as greed and revenge.
My Review:
Well, mercy! Wasn’t this an exercise in going back—way back?! We’re talking the 19th Century with brilliantly minded Amelia Peabody who possesses a superior knowledge of Egyptology and archeology. As if that weren’t enough, she managed to discover Professor Radcliffe Emerson, a prominent Egyptologist in his own right and they married. Together, they managed to produce a son, Ramses, also another Mensa candidate, too smart for school and sometimes his own parents.
Apparently, twenty episodes in this series, I managed to come in on Book 6, main characters well established (although this could be read as a standalone), and superior child about ten(?). Written in very stilted English, appropriate for the period in style and moral practices (clean read), these two are a hoot.
Well, most of the time.
I must say I did tire of the disdain often laid on those whose IQ didn’t conform, but I did enjoy the intelligent and often educational descriptions of Egypt’s history. Such a vast knowledge deserved to be shared and was usually in an engaging and entertaining fashion—not as dry textbook info dump.
It’s written in a journalist style as if she were speaking to her readers. Indeed, she often stops to speak directly to her readers.
In this entry to the series, they cruise the Nile to Nubia to find an old acquaintance long since lost at the behest of the father. They’ll combine the expedition with the opportunity to explore or excavate new sites.
Along the way, however, they are tricked and abandoned after discovering the last camel was poisoned. They are quietly rescued to a lost city. Oh, the deliciousness! The atmospherics, discovering an ancient people, their way of life, and of course that two half-brothers are vying for the exulted high position. (Oops!) Obviously, there is a keen wit involved in the prose—just reread the name of the title—and the banter between husband and wife is priceless. Otherwise, it’s a long one and there are a few slow passages pocked here and there in an otherwise well-plotted and paced narrative.
I must mention a shout-out, however, for the narrator, Susan O’Malley, who neither stumbled nor slowed over 22 syllable words and pronunciations. Excellent job, and saddened to see both narrator and author now deceased.
I downloaded a copy of this audiobook from my local well-stocked library. These are my honest thoughts.
Book Details:
Genre: Historical Mysteries, Historical Mystery Publisher: Blackstone Audio, Inc. ASIN: B0001O34AI Listening Length: Narrator: Susan O’Malley Publication Date: February 26, 2004 Source: Local Library (Audiobook Selections) Title Link: The Last Camel Died at Noon [Amazon]
Rosepoint Publishing:Four stars
The Author:ELIZABETH PETERS, whose New York Times best-selling novels are often set against historical backdrops, earned a Ph.D. in Egyptology at the University of Chicago. She also writes best-selling books under the pseudonym Barbara Michaels. She lives in Frederick, Maryland.
[Goodreads]Elizabeth Peters is a pen name of Barbara Mertz. She also wrote as Barbara Michaels as well as her own name. Born and brought up in Illinois, she earned her Ph.D. in Egyptology from the University of Chicago. Mertz was named Grand Master at the inaugural Anthony Awards in 1986 and Grand Master by the Mystery Writers of America at the Edgar Awards in 1998. She lived in a historic farmhouse in Frederick, western Maryland until her death (August 2013).
The Narrator: [Goodreads] Susan O’Malley (1976–2015) was an internationally exhibited artist and curator based in the San Francisco Bay Area. As curator and print center director at the San Jose Institute of Contemporary Art, she worked with hundreds of artists and organized more than fifty exhibitions and public programs. As an artist, she made work that brings a sense of interconnectedness into our lives, from conversations with strangers to installations in public places. The impact of her work has traveled far and wide. O’Malley’s artwork has been exhibited in public projects across the United States—San Francisco, New York, Nashville—and around the globe in the United Kingdom, Poland, and Denmark. She exhibited at alternative spaces and cultural institutions including, in California, the Montalvo Art Center, Kala Art Institute, and Palo Alto Art Center, as well as the Contemporary Art Museum (Houston, TX), and the Parthenon Museum (Nashville, TN). Her participatory installation Finding Your Center, a collaboration with Leah Rosenberg, was recently featured in Bay Area Now 7 at Yerba Buena Center for the Arts, and her project A Healing Walk is permanently installed at Villa Montalvo. The powerful optimism of her work lives on.
Joshua Kane meanwhile has set in motion another of his well-crafted dramas. He loves it, the planning, the plotting, the manipulation—like marionettes on a string.
The Author: Steve Cavanagh is a critically acclaimed, Sunday Times best-selling author of the Eddie Flynn series which has sold a million copies in the UK. His third novel, The Liar, won the CWA Gold Dagger for Crime Novel of the year 2018. Thirteen won the Theakstons Old Peculier Crime novel of the year 2019. FIFTY FIFTY was a Richard and Judy Book club choice, and the BBC Between The Covers book club choice. All of his novels have been nominated for major awards. His last four novels have all been Sunday Times Bestsellers.
The Narrator: Adam Sims trained at LAMDA. An award-winning and experienced stage actor, his credits include the West Yorkshire/Leeds Playhouse, the RSC, Royal Exchange Manchester and London’s West End. His screen credits include Band of Brothers and Lost in Space. As well as many recordings for BBC Radio, his voice-over credits are extensive and include computer games, animation, podcasts, television narration and corporates. He has recorded hundreds of audiobooks; titles ranging from Henry James, Edgar Allan Poe and Nathanial Hawthorne, to Haruki Murakami, Patricia Highsmith, Dennis Lehane, and Steve Cavanagh. He won the 2017 APA/Audible Audiobook Narrator of the Year for Flowers for Algernon.
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