Best Mystery, Thriller & Suspense
In best-selling Tana French’s newest “tour de force” (The New York Times), being on the Murder Squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad she’s there. The rest of her working life is a stream of thankless cases, vicious pranks, and harassment. Antoinette is savagely tough, but she’s getting close to the breaking point.
Their new case looks like yet another by-the-numbers lovers’ quarrel gone bad. Aislinn Murray is blond, pretty, groomed-to-a-shine, and dead in her catalog-perfect living room, next to a table set for a romantic dinner. There’s nothing unusual about her – except that Antoinette’s seen her somewhere before.
And that her death won’t stay in its neat by-the-numbers box. Other detectives are trying to push Antoinette and Steve into arresting Aislinn’s boyfriend, fast. There’s a shadowy figure at the end of Antoinette’s road. Aislinn’s friend is hinting that she knew Aislinn was in danger. And everything they find out about Aislinn takes her further from the glossy, passive doll she seemed to be.
Antoinette knows the harassment has turned her paranoid, but she can’t tell just how far gone she is. Is this case another step in the campaign to force her off the squad, or are there darker currents flowing beneath its polished surface?
Protagonist Detective Antoinette Conway and her partner, Detective Stephen Moran, begin work on a new case involving Aislinn Murray, whose death is easily and quickly attributed to her new beau by the veteran detective who took lead in the interview. But since Conway was promoted to the Dublin Murder Squad, she has been the butt of practical jokes, harassment, and hostility, partly owing, she attributes, to her being a woman in a male dominated bastion.
Detective Conway is pushing back, however, her gut telling her this quiet, ineffectual man could NOT have been the one to cause Aislinn’s death. She is wondering, however, with the obvious circumstantial evidence, if she is getting paranoid, pushed this one time too many in a bid to find something that isn’t there.
Not my first go-round with the author, I previously read The Secret Place (semi-finalist in Goodreads’ best mystery/thriller category 2016) for a Reading Ireland Month in March 2019—it was 480 pages—and included both detectives. I figured this time I’d try an audiobook. Even at just over twenty hours, I’d make it in time for March.
Tana French is nothing if not verbose—I’m glad I went the audiobook route as that included narrator Hilda Fay who didn’t just read the book, she became Detective Conway allowing the reader to see the rest of the narrative riding on Conway’s shoulder, heart, and mind, hitting the nuances of French’s dialogue and thoughts with depth of emotion, philosophy, and circumspect anguish.
The problem is, with ALL that dialogue, and ALL those recriminations, and ALL those subtle disclosures of the nasty pranks from the guys, the novel tends to lose sight of the story arc and extends exponentially when it could easily have been conveyed in under 300 words. The interdepartmental rivals and pissing matches become a broken record and loses the plot spit and fire.
French does pull all her various threads together in spectacular fashion in the climatic conclusion thrusting home her theory. It’s a hallow victory—sad—unsatisfying. But it’s a win.
Genre: Women Sleuth Mysteries, #Suspense, British & Irish Literary Fiction
Publisher: Penguin Audio
- ASIN: B01IQ1MEH6
Rosepoint Publishing: Three point Five of Five Stars
The Author: Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
The Narrator: Hilda Fay is an award-winning actress from Ireland who has worked both on stage and screen for the past 25 years. She has performed in Oedipus, Little Gem, and the one-woman show Alice Devine. Hilda’s TV and film credits include Prosperity, Proof, and Whistleblower, which won an IFTA award for Best Drama.
©2021 V Williams