A Ladder to the Sky by John Boyne – #Audiobook Review – #TBT

A Ladder to the Sky by John Boyne

A Reading Ireland Month book

“Ambition is putting a ladder to the sky.”
—American proverb

Best Mystery, Thriller & Suspense

Rosepoint Publishing: Five Stars

Book Blurb:

Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own.

Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel.

Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . .

Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND MINNEAPOLIS STAR TRIBUNE

My Review:

Maurice Swift—to what ends will this brilliantly manipulative character go to cement his life’s goal—that of a successful literary author?

OMG, did this one fairly bury me in amazing characters; fascinating, narcissistic, bold, secure and begins naively enough with the introduction to aging author Erich Ackermann. Erich is inexplicably attracted to young Maurice who exudes fan adoration in Erich’s books. So when Erich invites him to act as his assistant on a book tour, Maurice jumps at the chance. Erich falls heavily for young Maurice and it doesn’t help that Maurice is exceedingly attractive and aware of his sexual appeal.

Maurice, who would LOVE to write the next prize-winning literary novel but doesn’t have a clue how to come up with his own original story is, unfortunately, willing to do anything. Then Erich entrusts him with his most shameful haunting secrets and there’s Maurice’s story. It’s dark and deliciously deadly. It ultimately destroys Erich when it comes out but Maurice basks in the success. He can neatly and effectively avoid any guilt. It is, of course, Erich’s disgraceful act during the war that leads to the public outcry against him.

But while Maurice as despot is the main character, there comes a succession of deeply emotive characters, gripping, engaging. The well-developed part of Maurice’s wife; easy to love, sweet unsophisticated, and trusting, her POV comes to the forefront—for a short while.

Remember that old saying, “When the Gods want to punish us, they answer our prayers.” [Oscar Wilde]

Maurice always wanted to have a child of his own. In the meantime, there is a series of name-dropping that includes Gore (Vidal) whose conversations lead to some very witty, insightful glances into the cut-throat world of the literary (…that hack Swift). Dog eat dog. How far is Maurice willing to go to succeed, to be the one with the next bestseller. His bestseller or not?

At each turn, the plot goes from benign to cancerous, bland to black, and soon this reader is turning pages over jaw-dropping twists you wouldn’t have believed, was it not for the continued fleshing of the moral character of Maurice. Is he capable of this? Oh yes, he is. And it’s becoming frightening.

Maurice is a master at rationalization—he can always see where the fault lay in the other—himself as the innocent who merely provided the catalyst to the story—made it better. Why shouldn’t he reap the reward?

And then the end, when you think it’s caught up with him? The irony? The last laugh is on you, fellow reader. It’s a gotcha!

Now, have you ever wondered what the words are under the title? I know what it is. Have you read this book? Want to discuss it or are you curious what it says under the title? Ask me in the comments.

One last thought: The narrators did a superlative job on this audiobook, most especially that inebriate voice. So realistic. This novel still resonates with me and will for some time. I’ll look for more books from this author.

Book Details:

Genre: LGBTQ, Psychological Fiction, Psychological Thrillers
Publisher: Random House Audio
ASIN: B07FW4C8BC
Listening Length: 11 hrs 32 mins
Narrators: Richard E. Grant, Richard Cordery, Nina Sosanya, Laurence Kennedy
Publication Date: November 13, 2018
Source: Local Library (Audiobook Selections)
Title Link: A Ladder to the Sky [Amazon]

The Author: John Boyne was born in Ireland in 1971. The winner of three Irish Book Awards, he is the author of thirteen novels for adults, six for younger readers and a collection of short stories. The international bestseller The Boy in the Striped Pyjamas was made into a Miramax feature film and has sold more than eleven million copies worldwide. His novels are published in over fifty languages. He lives in Dublin. http://www.johnboyne.com.

#throwbackthursday

Let the Great World Spin by Colum McCann – #Audiobook Review – #TBT

Let the Great World Spin by Colum McCann

A Reading Ireland Month book

“The world spins. We stumble on. It is enough.”

Book Blurb:

In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter-mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in best-selling novelist Colum McCann’s stunningly intricate portrait of a city and its people.

Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.

My Review:

It was in August 1974 when 24 year old Frenchman Philippe Petit made it his “le coup” to illegally walk on a high wire across the top of the twin towers a total of eight times, the “artistic crime of the century.” And the feat was so bizarre, so over-the-top astounding that a film was released about it October 2015 called “The Walk.” I wrote a short article about the headline capturing story on July 2, 2016, not knowing that Colum McCann released this book in January 16, 2015. To be fair, I have not viewed the film.

It wasn’t long before I realized the book was about a particular group of people who may (or may not) have been impacted by this stupendous feat. The first half of the book is very slow, and for me, disjointed. I was trying to figure out how these characters had anything to do with the event that was unfolding before their eyes, or in some other unrelated capacity, connecting them. Indeed, for quite some time it didn’t.

It wasn’t a book about the feat itself or the man who walked the high wire. It was a deep-diving story that eventually begins to form a wire itself—uniting the stories of those five or six of the sixteen plus million people in mid-70s New York City.

You probably couldn’t find a more disparate group of people to dissect, from Irish priest (okay, monk), to mother and daughter hookers. Tillie’s story is graphic and profane but at least she finally breathed some much needed energy into a novel long in the tooth, reveling in finding a topic and expanding on it sixteen different ways, “the wind of the…, the trees of the…, the whatever…eventually just feels like filler to me and indeed, this narrative manages to extend beyond fifteen hours. Not a style I particularly enjoy—the constant philosophizing. It seemed dark, depressing. And when I thought it would get on with the story simply introduced yet another new character that was then studied to within of that life with no discernible bond to any of the previous characters.

I especially had a problem with the “Nam” references since the CE is a veteran of that era; we lived through it. But at least I could identify with the gold star mothers since I lost a brother during that time, not as a mother, but a sister. A pain that gradually dulls but never lets go and also gripped the mothers in this emotional support group.

The author does draw the characters finally together in a cohesive, sensitive manner—a study of the people, of the time. Perhaps not the event, but event driven? In the end, we also get the inside story of the judge, laid open and bare, warts and all, the storyline tied by his wife’s support group, while he’s ecstatic he got the defendant of the year in his court–sufficient to relieve his judicial boredom.

Well, mercy. One final stinging epithet.

Book Details:

Genre: Urban Fiction, Fiction Urban Life, Family Life Fiction
Publisher: Random House Audio
ASIN: B00SC80QC4
Listening Length: 15 hrs 15 mins
Narrator(s): Richard Poe, Gerard Doyle, Carol Monda, Johanna Parker, Ramon De Ocampo
Publication Date: January 16, 2015
Source: Local Library (Audiobook Selections)
Title Link: Let the Great World Spin [Amazon]

Rosepoint Publishing: Three-point Five Stars

The Author: [Goodreads] Colum McCann is the author of three collections of short stories and six novels, including “Apeirogon,” due to be published in Spring 2020. His other books include “TransAtlantic,” “Let the Great World Spin,” “This Side of Brightness,””Dancer” and “Zoli,” all of which were international best-sellers.

“Let the Great World Spin” won the National Book Award in 2009. His fiction has been published in over 40 languages and has appeared in The New Yorker, The Atlantic Monthly, GQ, Paris Review and other places. He has written for numerous publications including The Irish Times, Die Zeit, La Republicca, Paris Match, The New York Times, the Guardian and the Independent.

Colum has won numerous international awards and has been a bestseller on four continents. He is a member of the American Academy of Arts and Letters, as well as the Irish association of artists, Aosdana. He has also received a Chevalier des Artes et des Lettres from the French government. He is the cofounder of the global non-profit story exchange organisation Narrative 4.

In 2003 Colum was named Esquire magazine’s “Writer of the Year.” Other awards and honors include a Pushcart Prize, the Rooney Prize, the Irish Independent Hughes and Hughes/Sunday Independent Novel of the Year 2003, and the 2002 Ireland Fund of Monaco Princess Grace Memorial Literary Award. He was recently inducted into the Hennessy Hall of Fame for Irish Literature.

His short film “Everything in this Country Must,” directed by Gary McKendry, was nominated for an Academy Award Oscar in 2005.

Colum was born in Dublin in 1965 and began his career as a journalist in The Irish Press. In the early 1980’s he took a bicycle across North America and then worked as a wilderness guide in a program for juvenile delinquents in Texas. After a year and a half in Japan, he and his wife Allison moved to New York where they currently live with their three children, Isabella, John Michael and Christian.

Colum teaches in Hunter College in New York, in the Creative Writing program, with fellow novelists Peter Carey and Tea Obreht.

Colum has completed his new novel, “Apeirogon.” Crafted out of a universe of fictional and nonfictional material, McCann tells the story of Bassam Aramin and Rami Elhanan. One is Israeli. One is Palestinian. Both are fathers. Both have lost their daughters to the conflict. When Bassam and Rami learn of each other’s stories they recognize the loss that connects them, and they begin to use their grief as a weapon for peace.

In the novel McCann crosses centuries and continents. He stitches together time, art, history, nature and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate and soaring, Apeirogon is a novel for our times.

Website: http://www.colummccann.com

#throwbackthursday

TV Netflix Series Pieces of Her vs #Audiobook Pieces of Her by Karin Slaughter and Kathleen Early (Narrator) – #thriller

TV Netflix Series Pieces of Her vs Audiobook Pieces of Her by Karin Slaughter

Best Mystery, Thriller & Suspense

Intro

After having listened to the audiobook that I then learned would be a Netflix original, I patiently waited for this one to debut, which it did on Friday, March 4. Again, I’m flummoxed by the difference between the original story and the Netflix series.

So if it’s well-received as a book title or audiobook, did it also translate well to the small screen? If you’ve caught a few of my previous audiobooks versus Netflix series, you’ll note my continued bewilderment. Is this actually better? Or worse. A radical departure from the Virgin River while a faithful reproduction of Longmire. (And I really loved the characters on Longmire.)

As you’ve no doubt read or heard by now, Pieces of Her is the story of a daughter who is just discovering that her mother hasn’t always been the person she thought was her mom.

Pieces of Her the Netflix thriller was developed by Charlotte Stoudt and Lesli Linka Glatter. The director for all episodes (and there are eight in the first series) is Minkie Spiro who directed Downton Abbey and Better Call Saul and while I’ve not watched the former, a solid fan of the latter, so I was excited.

Netflix Series

Pieces of Her (in the co?) leading role is Toni Collette as Laura Oliver with Bella Heathcote as Andy Oliver (her daughter). There are a number of other actors, of course, my favorites being Omari Hardwick as Gordon Oliver and Gil Birmingham as Charlie Bass. There is a lineup of actors portraying Laura as a child and as an adolescent.

The series is adapted from the novel (same name) by Karin Slaughter who is also acting as a producer on the show.

Andy (Andrea) is celebrating a 30s birthday out with her mother, Laura, in beautiful coastal Belle Isle when the quiet serene atmosphere suddenly turns tragic. While Andy freezes in horror, Laura springs to action in the protection of her daughter and is soon forced to make a deadly decision.

That split-second automatic reaction to the situation changes their lives immediately and forever.

Laura is hurt but following triage medical attention clams up and refuses to speak to anyone; not to the police, her ex (Gordan), or to Andy. To Andy, however, she barks quick instructions to speak to no one and leave. She is handed some money, a burner phone, and car keys but no explanation. YAY! So far, so good.

Well, but Andy hasn’t been doing so well with her life though; aimless, living off her mother’s generosity in her mother’s garage apartment. So I’m not sure how she can be trusted to follow the instructions.

And she doesn’t.

My Thoughts

But now, is it just me? Or did the Netflix version veer into it’s own interpretation? The constant flashbacks crippled somewhat the timeline from Laura’s childhood to the present situation, introduction of all the backstories, new characters and twists that spins wildly with 70s US history. Indeed, at times spun completely out of coherence, forcing the viewer to catch up and make connections in later scenes.

While Toni Collette (Laura) made a heroic effort at portraying a horrific history and her effort at escape, her wretched persona got a bit tiresome. Andy, what can I say about poor, dear Andy; not the brightest daughter ever to be delivered from a pseudo-protest child.

3 stars three stars

Audiobook (Blurb)

The number-one international best-selling author returns with an electrifying novel of devastating secrets and hidden lives that probes the fraught relationship between daughters and mothers and the lengths we go to protect those we love.

What if the person you thought you knew best turns out to be someone you never knew at all? Andrea Cooper knows everything about her mother, Laura. She knows Laura has spent nearly her whole life in the small beach town of Belle Isle, Georgia; she knows Laura’s never wanted anything more than to lead a quiet, normal life in this conventional community; she knows Laura’s a kind and beloved speech pathologist who helps others; she knows Laura’s never kept a secret in her life. Andrea knows that Laura is everything she isn’t – confident, settled, sure of herself. Feeling listless, with no direction, Andrea, unlike Laura, struggles to find her way.

But Andrea’s certainty is upended when a visit to the mall is shattered by an act of horrifying violence that reveals a completely different side of Laura – a cool woman who calmly faces down a murderer. It turns out that before Andrea’s mother was Laura, she was someone completely different. For nearly 30 years she’s been hiding from the woman she once was, lying low in the hope that no one would ever find her. But now she’s been exposed, and nothing will ever be the same again.

The assailant was a mentally troubled, teenaged scion of Georgia law enforcement royalty, and now the police want answers about what really happened in those terrifying moments at the mall. Though she’s being scrutinized at every level of the criminal justice system and her innocence is on the line, Laura refuses to speak to anyone, including her own daughter. She pushes Andrea away, insisting it’s time for her to stand alone and make a life for herself. To save her mother, Andrea embarks on a desperate journey following the breadcrumb trail of her mother’s past. Andrea knows that if she can’t uncover the secrets hidden there, there may be no future for her mother…or her.

Filled with intriguing turns, surprising revelations, and a compelling cast of characters, Pieces of Her is Slaughter’s most electrifying, provocative, and suspenseful novel yet.

My Thoughts

Okay, by now the well-plotted storyline has been laid out more than once. When Andy witnesses her mother in action, she is both stunned by her actions and also suffering from the disastrous circumstances that forced her mother’s reaction. She is not capable of applying what she knows about her mother with the person who so deftly ended the appalling scene. It’s shocking.

I was hooked by those opening scenes, narrated well by Kathleen Early. I quickly compared many of the headlines of the 70s to the circumstances dibbled out in little dabs, building the tension and whipping the listener from mother to daughter. As the old saying goes, make no conclusions until all the facts are disclosed, but mercy, that could be sooo slow sometimes.

Mainly told in Andy’s POV, there are the backstories, flashbacks revealing another tiny morsel of truth. Or was it the truth? Who can you trust?

The truth, the reveal, when it finally came, came as a knowing relief and combined several theories in the complex plot meant to throw the reader/listener off.

The setting is beautiful, the characters’ depths varied, most not wholly sympathic, the dialogue often blue. I listened to False Witness last year, my introduction to the author and her graphic writing style, but had to try one more. Perhaps I’ll try one in her signature series next time, rather than a standalone thriller.

4 stars

Overall Impression

While I enjoyed the book, the tension, drama, and thrill of discovery, there were times when I lost all faith in Andy, finding her making questionable decisions more than once. I had too early formed an opinion of the circumstances, having lived through those years and headlines, and was shocked at the jaw-dropping reveal when it came. Still, I questioned some of Laura’s early handling of Andy and wondered how that might have been better.

The Netflix series, usually following their well-received formula, took a slightly different tack this time, throwing in Andy’s quick romantic interest (not unusual), but making a hash of the flashbacks. They generally work to create an equitable R-rated series, but missed building the tension this time like the book did.

This time my vote has to go to the author’s book—and it’s been out for some time–and can be found at your favorite retail outlet.

Book Details

Genre: Women Sleuth Mysteries, Police Procedural Mysteries
Publisher: Blackstone Audio, Inc.
ASIN: B07CLKPDWL
Listening Length: 16 hrs 5 mins
Narrator: Kathleen Early
Audible Release: August 21, 2018
Source: Local Library (Audiobook Selections)
Title Link: Pieces of Her [Amazon]

The Author: Karin Slaughter is one of the world’s most popular and acclaimed storytellers. Published in 120 countries with more than 35 million copies sold across the globe, her 21 novels include the Grant County and Will Trent books, as well as the Edgar-nominated COP TOWN and the instant NYT bestselling stand-alone novels PRETTY GIRLS, THE GOOD DAUGHTER, and PIECES OF HER. Slaughter is the founder of the Save the Libraries project—a nonprofit organization established to support libraries and library programming. A native of Georgia, she lives in Atlanta. Her stand-alone novel PIECES OF HER is in development with Netflix, starring Toni Collette, and the Grant County and Will Trent series are in development for television.

http://www.karinslaughter.com

Facebook http://www.facebook.com/AuthorKarinSlaughter/

Instagram http://www.instagram.com/karinslaughterauthor/

Twitter @SlaughterKarin

#throwbackthursday

Info attributes, photos, and covers:
Netflixlife.com
Actress photos: Looper.com

The Dog Who Knew Too Much by Spencer Quinn – #Audiobook Review – #TBT

Book Blurb:

The fourth entry in the irresistible New York Times best-selling mystery series featuring canine narrator Chet and his human companion Bernie, “the coolest human/pooch duo this side of Wallace and Gromit” (Kirkus Reviews).

Combining suspense and intrigue with a wonderfully humorous take on the link between man and beast, Spencer Quinn’s exceptional mystery series has captured widespread praise since its New York Times best-selling debut, Dog on It. The Dog Who Knew Too Much marks the duo’s triumphant return in a tale that’s full of surprises.

Bernie is invited to give the keynote speech at the Great Western Private Eye Convention, but it’s Chet that the bigshot P.I. in charge has secret plans for. Meanwhile, Chet and Bernie are hired to find a kid who has gone missing from a wilderness camp in the high country. The boy’s mother thinks the boy’s father – her ex – has snatched the boy, but Chet makes a find that sends the case in a new and dangerous direction. As if that weren’t enough, matters get complicated at home when a stray puppy that looks suspiciously like Chet shows up. Affairs of the heart collide with a job that’s never been tougher, requiring our two intrepid sleuths to depend on each other as never before. The Dog Who Knew Too Much is classic Spencer Quinn, offering page-turning entertainment that’s not just for dog-lovers.

My Review:

When Bark to the Future releases in August 2022, there will be thirteen books in this series. This is the fourth book and does just fine as a standalone. I could as easily have come in on Book 12—and would have liked to! I’ve found a new doggy protagonist to love—Chet. It’s just plain clean, good canine fun and I suspect made even more so by the narrator for this audiobook.

The POV is the dog. He’s easily distracted, but he loves his human, PI Bernie. Chet is about a hundred-pound dog, not to be trifled with, and a strong part of the Little Detective Agency. He’s also a love bug and approves of Bernie’s girl, Susie, who is quickly becoming a serious part of the pack.

Bernie has been engaged to protect her son during parent’s weekend in the summer camp high in the mountains against her ex but quickly discovers he has wandered away from camp and is missing.

Since it’s the dog narrating the story, it sometimes splits between his activities and thoughts and the mystery or what is going on behind the scenes with Bernie. If you’ve ever watched your dog, you can almost see their thoughts when you produce their favorite ball or treat. “Ball, ball, yes! Throw the ball!” “Treat, treat, I don’t care which one, can I have it now?” The dog, however, does have quite the human vocabulary tucked into his brain which he often recognizes but not in context, causing confusion. I love it—and the dialogue makes a lot of sense, pushing anthropomorphism. “…His brain and my rose: plenty of perps now wearing orange jumpsuits can tell you about that combo.” Just be aware that with Bernie, the dialogue can turn blue.

The canine perspective when he grapples with weighty subjects like the cute collie or the smell of the squirrel that distracts him lightens the darker aspects of the mystery, murder, theft, drugs, and crooked law enforcement.

Nice balance between the lightheartedness provided by the dog and the serious business of the mystery. It’s well-paced and the characters are great, very entertaining story.

Everything is settled in the conclusion and life and Book 5 was forthcoming. The perps earn a well-deserved bite in the butt and Bernie and Susie got to work together, Chet gets his treats and a pat on the head. Personally, I’ll be looking for another, but closer to the newer one.

Book Details:

Genre: Private Investigator Mysteries, Suspense
Publisher: Recorded Books
ASIN: B005LEV0P4
Listening Length: 10 hrs 18 mins
Narrator: Jim Frangione
Publication Date: September 6, 2011
Source: Local Library (Audiobook Selections)
Title Link: The Dog Who Knew Too Much [Amazon]

Rosepoint Publishing: Four point Five Stars

The Author: Spencer Quinn lives on Cape Cod with his dog, Audrey. He is currently working on the next Chet and Bernie novel. (Spencer Quinn is a pseudonym of author Peter Abrahams.)

#throwbackthursday

To Die but Once: A Maisie Dobbs Novel by Jacqueline Winspear – #Audiobook Review

Best Mystery, Thriller & Suspense

Book Blurb:

Spring 1940. With Britons facing what has become known as “the Bore War” – nothing much seems to have happened yet – Maisie Dobbs is asked to investigate the disappearance of a local lad, a young apprentice craftsman working on a “hush-hush” government contract. As Maisie’s inquiry reveals a possible link to the London underworld, another mother is worried about a missing son – but this time the boy in question is one beloved by Maisie.

My Review:

Book fourteen in this series and my first, so I came in listening to the audiobook as a standalone and had no problem keeping up. There are sufficient backstory tidbits along the way to provide fleshing and an appreciation for her character.

Maisie Dobbs was a nurse in WWI and subsequently trained to be a psychologist and investigator following that war. This story takes place in 1940 with Great Britain once again at war with Germany and several subplots tied to and underlying the main focus.

First, Maisie is hired to investigate the disappearance of a young boy, Joseph Combes, who succeeded in finding work for a company with a government contract. Set in the background are Dunkirk and the pending possible invasion.

Also in the background is a family drama (her own possible adoption of a young girl) and the spy hiding in plain sight.

A low-key start to the audiobook gradually begins pulling plot threads together until they weave interchangeably throughout the narrative. While the beginning is rather slow moving, the well-plotted novel hooks the reader into the discovery of the dark side of war, those who would reap huge monetary rewards from the military conflict. So sad, but so true of every war, unfortunately, that impacts many more lives over those in the actual conflict.

The personal losses stemming from the battles do not go unnoticed either and there are emotional scenes regarding the population and their individual handling of grave circumstances. The author movingly incorporates her own experiences as she describes the desolation and sacrifices.

A great historical novel along with the mystery was well drawn and satisfying in the conclusion. I was engaged and entertained and can recommend to any who enjoys detective stories (even with a slow build-up) authentically mixed with history.

Book Details:

Genre: Traditional Detective Mysteries, Historical Mysteries, Women Sleuth Mysteries
Publisher: HarperAudio
ASIN: B077NHKTP6
Listening Length: 10 hrs 29 mins
Narrator: Orlagh Cassidy
Publication Date: March 27, 2018
Source: Local Library (Audiobook Selections)
Title Link: To Die but Once [Amazon]

Rosepoint Publishing: Four point Five Stars

The Author: Jacqueline Winspear is the creator of the New York Times and National Bestselling series featuring psychologist and investigator, Maisie Dobbs. Her first novel – Maisie Dobbs – received numerous awards nominations, including the Edgar Award for Best Novel and the Agatha Award for Best First Novel. It was a New York Times Notable Book and a Publisher’s Weekly Top Ten Pick.“ Jacqueline’s “standalone” novel set in WW1, The Care and Management of Lies, was a finalist for the Dayton Literary Peace Prize in 2015. In 2019 The American Agent, her 16th novel, was published, along with a non-fiction book based upon the Maisie Dobbs’ series, What Would Maisie Do? Originally from the UK, Jacqueline now lives in northern California.

The Narrator: Orlagh is an American actress, both parents from Dublin, Ireland. She works in Theatre, Television and Film and has recorded numerous award winning audiobooks and commercials. She can be seen in ‘St. Vincent’ with Bill Murray as well many guest starring roles on ‘Homeland’, ‘Billions’, ‘Good Wife’, ‘Elementary’ and ‘The Mysteries Of Laura’. She has worked in New York theatre at MTC, The Public Theatre, MCC, Origin Theatre Company and The Irish Rep where she received a Drama Desk nomination for the role of ‘Mamie’ in the ‘The Field’ in 2007. She is a recipient of The Princess Grace Foundation Award and has a BFA from SUNY Purchase.

The Golem and the Jinni: A Novel by Helene Wecker – #Audiobook Review – #TBT

Best Science Fiction & Fantasy

Book Blurb:

Audie Award Finalist, Fiction, 2014

Helene Wecker’s dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

Struggling to make their way in this strange new place, the Golem and the Jinni try to fit in with their neighbors while masking their true natures. Surrounding them is a community of immigrants: the coffeehouse owner Maryam Faddoul, a pillar of wisdom and support for her Syrian neighbors; the solitary ice cream maker Saleh, a damaged man cursed by tragedy; the kind and caring Rabbi Meyer and his beleaguered nephew, Michael, whose Sheltering House receives newly arrived Jewish men; the adventurous young socialite Sophia Winston; and the enigmatic Joseph Schall, a dangerous man driven by ferocious ambition and esoteric wisdom.

Meeting by chance, the two creatures become unlikely friends whose tenuous attachment challenges their opposing natures, until the night a terrifying incident drives them back into their separate worlds. But a powerful menace will soon bring the Golem and the Jinni together again, threatening their existence and forcing them to make a fateful choice.

Marvelous and compulsively listenable, The Golem and the Jinni weaves strands of folk mythology, historical fiction, and magical fable into a wondrously inventive and unforgettable tale.

My Review:

Okay, don’t say it.

This one is definitely not my usual genre. But there’s a reason for that.

I went hunting for audiobooks in which George Guidall narrates. He is one of my very favorite narrators and another reason I listen to so many Longmire audiobooks (written by Craig Johnson). This one caught my eye and oh my gosh! What an amazing journey!

Middle Eastern fiction woven beautifully with historical fantasy—so much to learn—so fascinating. A major atmospheric classic in fairy tale proportions. And the names, the language, the insight into Jewish culture, literature—all very smoothly rolled off Guidall’s tongue like a man reciting romantic poets, bathing the reader softly in the moment, caressing the ears.

This is a book to be read leisurely, digested, and enjoyed. The pace is languid through introduction of main characters and into backstories, explanations of the who and why. The backstories provide a greater understanding of present-day activities, the protagonist’s issues, proclivities, limitations, and each their separate and not necessarily complementary powers.

The author also examines the lengths at which each, both golem (Chava) and jinni (Ahmad) (supernatural beings) had to go to manifest normal human characteristics—the toll that extracted from each—and the extreme relief each must have felt when they were finally able to expose themselves to the other.

Take the time. It’s worth it. The characters, both main and support, are amazing. Easy to become invested, engaged. Arbeely, the Rabbi, Maryam Faddoul, empathetic. Michael Levy, poor guy—and Dr Saleh (Ice Cream Saleh), poor guy–sympathetic.

It’s an immersive fantasy brought to life with characters that create an enchanting tale of the ancient arts and magic.

The last 15-20% of the book brings the whole tale into one giant wizardy conclusion that has your head spinning with visions. All but one issue satisfying. BUT.

[Spoiler ahead]

I hate what happens to Michael and is the only reason I can’t wholeheartedly recommend this as a 5+ star narrative. Surely there is an alternative! His only fault is his innocence. He loved the golem and I felt would have accepted her, knowing her powers, albeit some unfortunate. ARGH!

[Note: You may be interested to know that the author has produced a sophomore release called The Hidden Palace: A Novel of the Golem and the Jinni. Declared “well worth the wait,” it was released June 8, 2021 and was also narrated by George Guidall.]

Book Details:

Genre: Historic Middle Eastern Fiction, Jewish Literature, Jewish Historical Fiction, Historical Fantasy
Publisher: HarperAudio
ASIN: B00BU8DV2K
Listening Length: 19 hrs 42 mins
Narrator: George Guidall
Publication Date: April 23, 2013
Source: Local Library (Audiobook Selections)
Title Link(s): The Golem and the Jinni [Amazon]
Barnes & Noble
Kobo

Rosepoint Publishing: Four point Five Stars

The Author: Helene Wecker’s first novel, THE GOLEM AND THE JINNI, was awarded the Mythopoeic Award for Adult Literature, the VCU Cabell Award for First Novel, and the Harold U. Ribalow Prize, and was nominated for a Nebula Award and a World Fantasy Award. A sequel, THE HIDDEN PALACE: A TALE OF THE GOLEM AND THE JINNI, will be published in June 2021. A Midwest native, she holds a B.A. in English from Carleton College and an M.F.A. in Fiction Writing from Columbia University. Her work has appeared in literary journals such as Joyland and Catamaran, as well as the fantasy anthology The Djinn Falls in Love and Other Stories. She currently lives in the San Francisco Bay Area with her husband and children.

The Narrator: George Guidall is a prolific audiobook narrator and theatre actor. As of November 2014, he had recorded over 1,270 audiobooks, which was believed to be the record at the time. Wikipedia

happy thursday!

TV Netflix Series Maid vs #Audiobook Maid by Stephanie Land – #TBT

Another Netflix original that I noticed had been adapted from a popular book by a debut author. As you know, I am loving the challenge of listening to the audiobook to see how much (or little) Netflix changed and made it their own. Did they make it better? Worse? And as also mentioned before, I noticed a radical departure from some of the original books (although not quite so much with Longmire, but thankfully for the Virgin River series).

The storyline by Stephanie Land chronicles her experiences of taking on approximately 25 hrs work a week as a maid (I would call her a housekeeper—not really a maid)—who is trying to care for her toddler daughter and take classes toward a degree. She writes in detail of her struggles with a broken welfare system (Washington state), assistance, that sometimes takes days of time to complete applications, numerous trips to the separate agencies, and then suffer through wait times of months, even years for relief.

Netflix Series

Sarah Qualley - actress — Alex–played by Sarah Qualley – Attribute Wikipedia

Alex is a single mother with daughter Maddy who has escaped the child’s abusive father and homelessness to perform housecleaning duties for clients of a cleaning service where she is paid minimum wage. The series began on October 1, 2021 and was written by both Stephanie Land and Molly Smith Metzler. At 5/8”, the 27 year old Sarah Margaret Qualley (who plays Alex in the title role) was born in Kalispell, MT to parents Andie MacDowell (who also appears as her mother) and Paul Qualley.

Rylea Nevaeh Whittet - child actress — Maddy–played by Rylea Nevaeh Whittet – Attribute-imdb.com

Billed as a limited series, Season 1 of Maid has ten episodes. I say Season 1 as it has been holding the Top 10 spot since the premiere. Since the season ended with a solid (happy) conclusion, there is debate regarding a continuing story. Maddy, the sweet cherub-faced toddler is adorable and steals any of her scenes (I think anyway).

There are additional support characters (but the POV is all Alex)—the father—not the most supportive of dads, and the storyline zooms in on the various houses where she is assigned to clean, their stories, houses, and the relationship (or lack thereof) to their housecleaner.

My Thoughts

This one starts out fairly slow building (after the initial fleeing in the night scene) the whos, whys, whats, whens, and wheres. Episode 1. Episode 2 begins building on the stories of the homes—who they are. Some are fleshed more than others depending on their involvement with Alex, many of whom have none at all. She names each of the houses—“the sad house,” “the porn house,” etc.

The story continues to build conflict with her ex—Sean—who is getting progressively violent. Conflict escalates with each new financial burden—carefully calculated on screen showing deductions into deficit. Her mother’s character is an aging hippie, alternately a helpful grandmother or not. I really like the fictional additions—the stories of some of the housecleaning homes, but there are holes in the series. I believe she is getting child support, but it doesn’t appear in the financials—only that of her earnings(?).

She is over the moon with her daughter and seldom (maybe once in ten episodes) gets tired or cross with her. I understand the overwhelming exhaustion—and times when she needed a break. And she does, from time to time get those. She has a pessimistic attitude, facing one crisis after another, not always making the wise decision. She tends to snoop when opportunity presents itself, trying on clothes while decrying the small pilfering by a co-worker.

I was the daughter of a mother left with two children, no education or working experience. I can remember the struggles, the panic, and the admonition that we could “NOT get sick this winter” (we wouldn’t dare!), wherever that was going to be. She never had a break, nor did we have any kind of child support. There were days she simply ironed—for eight hours (and any income is deducted from welfare).

Sometimes Alex just doesn’t feel authentic.

Audiobook (Blurb)

At 28, Stephanie Land’s plans of breaking free from the roots of her hometown in the Pacific Northwest to chase her dreams of attending a university and becoming a writer, were cut short when a summer fling turned into an unexpected pregnancy. She turned to housekeeping to make ends meet, and with a tenacious grip on her dream to provide her daughter the very best life possible, Stephanie worked days and took classes online to earn a college degree, and began to write relentlessly.

Maid explores the underbelly of upper-middle class America and the reality of what it’s like to be in service to them. “I’d become a nameless ghost,” Stephanie writes about her relationship with her clients, many of whom do not know her from any other cleaner, but who she learns plenty about. As she begins to discover more about her clients’ lives-their sadness and love, too-she begins to find hope in her own path.

Her writing as a journalist gives voice to the “servant” worker, and those pursuing the American Dream from below the poverty line. Maid is Stephanie’s story, but it’s not her alone.

My Thoughts

Ms. Land wasn’t a teenager when she split from her ex. Nor at 28 (29?) did she seem to have an education she could apply to any available job, falling back on housekeeping as a way to spend time with her daughter. But at 25 hrs a week housekeeping, she was below the poverty line which left her with mounds of applications for aid, the embarrassment of food stamps, the doctors who only see the “Medicaid” patient, the WIC quandary. The failure of the system, heaven knows, is rather massive in any state, but Stephanie is detailing the failures, one at a time, over and over.

The more griping and negativity I heard, the greater my exhaustion of hearing about her victimization. She seems openly envious of anyone with more than she, perhaps not considering what it took to get them there. She may have tried on their shoes, but she didn’t walk in them.

Overall Impression

Okay, I’m scratching my head over this one. Clearly, I did not care for the audiobook, read by the author or not. I could not engage, work up the sympathy. SOOO many thousands of women going through the same and they may, as my mother did, cry in their pillows at night, but they carried on without pointing fingers at everyone else.

Netflix, as they usually do, found a strong middle ground, showing both the failures and the successes, building empathy where due, focusing on the child, lifelines for abused women, groups, and helplines. Conflicts and resolution. Light at the end of the tunnel only to have the light smashed and the tunnel black again. The storyline moves, however gradually, in an upwardly mobile direction.

I don’t think Netflix softened or frosted over the critical situation of the women. But they did provide just that sliver of hope that the tide will turn. And indeed it does. I’d recommended the Netflix version, but certainly cannot the audiobook and by that extension the book as well.

Book Details

Full Title: Maid: Hard Work, Low Pay, and a Mother’s Will to Survive
Genre: Poverty & Homelessness Studies, Government Social Policy, Social Public Policy
Publisher: Hachette Audio
ASIN: B07MNHMYCP
Listening Length: 8 hrs 34 mins
Narrator: Stephanie Land
Audible Release: January 22, 2019
Source: Local Library (Audiobook Selections)
Title Link(s): Maid [Amazon]
Barnes & Noble
Kobo

The Author: Stephanie Land is the instant bestselling author of “MAID: Hard Work, Low Pay, and a Mother’s Will to Survive.” Her work has been featured in The New York Times, The Washington Post, The Guardian, The Atlantic, and many other outlets. Her writing focuses on social and economic justice. Follow everywhere @stepville or stepville.com [Goodreads]

Lafayette in the Somewhat United States by Sarah Vowell – #Audiobook Review – American Revolution Biographies – #TBT

Best History

Book Blurb:

From the best-selling author of Assassination Vacation and Unfamiliar Fishes, a humorous account of the Revolutionary War hero Marquis de Lafayette – the one Frenchman we could all agree on – and an insightful portrait of a nation’s idealism and its reality.

On August 16, 1824, an elderly French gentlemen sailed into New York Harbor, and giddy Americans were there to welcome him. Or, rather, to welcome him back. It had been 30 years since he had last set foot in the United States, and he was so beloved that 80,000 people showed up to cheer for him. The entire population of New York at the time was 120,000.

Lafayette‘s arrival in 1824 coincided with one of the most contentious presidential elections in American history. Congress had just fought its first epic battle over slavery, and the threat of a Civil War loomed. But Lafayette, belonging to neither North nor South, to no political party or faction, was a walking, talking reminder of the sacrifices and bravery of the revolutionary generation and what they wanted this country to be. His return was not just a reunion with his beloved Americans; it was a reunion for Americans with their own astonishing, singular past.

Lafayette in the Somewhat United States is a humorous and insightful portrait of the famed Frenchman, the impact he had on our young country, and his ongoing relationship with instrumental Americans of the time, including George Washington, Alexander Hamilton, Thomas Jefferson, and many more.

John Slattery as the Marquis de Lafayette
Nick Offerman as George Washington
Fred Armisen as Friedrich Wilhelm von Steuben
Bobby Cannavale as Benjamin Franklin
John Hodgman as John Adams
Stephanie March as Evelyn Wotherspoon Wainwight and Linda Williams
Alexis Denisof as The British Leadership
Patton Oswalt as Thomas Jefferson and Sherm

My Review:

Add me to the list of those who thought I knew something about the Revolutionary war—particularly owing both myself and the CE had ancestors who fought—and must have obviously survived.

My question after listening to this audiobook is how in the world did we EVER win our independence? Only, in no small part, to those countries who also either had no affinity for dear ole England themselves, or the English after eight years (which I also didn’t realize) was being bankrupted. Certainly a resulting factor for the massive help from the French king Louis XVI, who himself was guillotined in 1793.

We were certainly an ungrateful bunch. Tired of the monarchy, the Red Coats, the taxes, and lack of freedom. King George III absolutely refused to surrender the colonies. The fledgling Americans decided he would. Period.

The author is a surprise. When the audiobook started with that unusual voice narrating, I thought “you gotta be kidding” expecting the narrator to change. It did, frequently, but only to inject many of the other voices listed to portray another of the main characters of the war. Her delivery is beyond droll and it’s necessary to pay close attention because much of her zingers, sarcastic wit, often comparing or contrasting present day history comes through in contemplative conversation.

I had no idea that the Marquis de Lafayette, who came over strictly as a volunteer at the age of eighteen, rose in the ranks to establish himself so completely in the successful strategy of our battles. As has been noted previously, American troops were starving, lacking boots or proper winter clothing, materiel, or training.

For awhile, the narrative seemed to follow no one pattern, chronological or otherwise, until it settled down somewhat while she followed a specific tour of well-known battlegrounds and skirmishes and describing despicable conditions, noting at one point, “who needs to pay for gun powder when heat stroke kills for free.” Or at well known Valley Forge where more than 2,000 died owing to catastrophic winter conditions alone.

That cynical sense of humor comes through when she notes the horrific Battle of Brandywine (September 11, 1777) resulted in “random rattled fleeing…struggling to put the toothpaste back into the tube.”

I enjoyed learning about Lafayette, given the writing style, not wholly a dry history lesson and more certainly the contemporary observation and connections made, one referring to Lafayette Square across from the capitol in DC.

The author’s writing style might not appeal to everyone, nor her often sense of irony dispensed in conversational fashion. However, it is entertaining, educational, and enlightening. I learned a lot and will be looking for more of her history audiobooks.

Book Details:

Genre: American Revolution Biographies, French History, United States Colonial History
Publisher: Simon & Schuster Audio
ASIN: B013RODKRA
Listening Length: 8 hrs 7 mins
Narrators: Sarah Vowell, John Slattery, Nick Offerman, Fred Armisen, Bobby Cannavale, John Hodgman, Stephanie March, Alexis Denisof
Publication Date: October 20, 2015
Source: Local Library (Audiobook Selections)
Title Link: Lafayette in the Somewhat United States [Amazon]

Rosepoint Publishing: Four of Five Stars

The Author: Sarah Jane Vowell is an American author, journalist, humorist, and commentator. Often referred to as a “social observer,” Vowell has authored several books and is a regular contributor to the radio program This American Life on Public Radio International. She was also the voice of Violet in the animated film The Incredibles and a short documentary, VOWELLET – An Essay by SARAH VOWELL in the “Behind the Scenes” extras of The Incredibles DVD Release.

She earned a B.A. from Montana State University in 1993 in Modern Languages and Literatures and an M.A. in Art History at the School of the Art Institute of Chicago in 1996. Vowell received the Music Journalism Award in 1996.

Vowell is a New York Times’ bestselling author of five nonfiction books on American history and culture. Her most recent book is Unfamiliar Fishes (2011), which reviews the takeover of Hawaii’s property and politics first by white missionaries from the United States and later joined by American plantation growers, ultimately resulting in a Coup d’état, restricted voting rights for nonwhites, and forced statehood for the small chain of islands. Her earlier book, The Wordy Shipmates (2008), examines the New England Puritans and their journey to and impact on America. She studies John Winthrop’s 1630 sermon “A Model of Christian Charity” – and the bloody story that resulted from American exceptionalism. And she also traces the relationship of Winthrop, Massachusetts’ first governor, and Roger Williams, the Calvinist minister who founded Rhode Island – an unlikely friendship that was emblematic of the polar extremes of the American foundation. Throughout, she reveals how American history can show up in the most unexpected places in our modern culture, often in unexpected ways.

Her book Assassination Vacation (2005) describes a road trip to tourist sites devoted to the murders of presidents Lincoln, Garfield and McKinley. Vowell examines what these acts of political violence reveal about our national character and our contemporary society.

She is also the author of two essay collections, The Partly Cloudy Patriot (2002) and Take the Cannoli (2000). Her first book Radio On: A Listener’s Diary (1997), is her year-long diary of listening to the radio in 1995.

Her writing has been published in The Village Voice, Esquire, GQ, Spin, The New York Times, Los Angeles Times, and the SF Weekly, and she has been a regular contributor to the online magazine Salon. She was one of the original contributors to McSweeney’s, also participating in many of the quarterly’s readings and shows.

In 2005, Vowell served as a guest columnist for The New York Times during several weeks in July, briefly filling in for Maureen Dowd. Vowell also served as a guest columnist in February 2006, and again in April 2006.

In 2008, Vowell contributed an essay about Montana to the book State by State: A Panoramic Portrait of America.

happy thursday!